Welcome to the world of Church Acoustics

Teaching the highest quality in Church Sound excellence

  • Supported by

    Contact:
    Ph # 519-582-4443
    email: jdb@jdbsound.com

    The Bible is the de facto standard for all church worship needs including sound and acoustics.

    2 Timothy 2:15

  • Archives

  • For additional contact information scan the QR code below

    link to jdbsound.com

Archive for the ‘Educational Must Read Articles’ Category

Is Technology Killing the Church?

Posted by jdbsound on March 1, 2023


Since the advent of digital technology, it was hoped that church sound would improve. You would think that better sound would mean higher church attendance. Instead, overall church sound for Christian Worship in all denominations has continued to worsen. In a way, technology is killing the church, and Christians are letting it happen. The decline in church sound has pushed many churches into an entertainment style of worship in the hope of slowing down the drop in overall church attendance. The entertainment style of worship has turned services into a spectator event rather than a participation experience, which is what worship is supposed to be.

When tested, the overall speech quality in most churches is a low-level passing grade, and many more houses of worship fail a basic computerized speech test. Music quality in most churches come up short as well, even when the musical talent is entertaining enough. No matter what song leaders do, getting the audience to engage in congregational singing seems like a fruitless effort.

For many churches, the live worship service falls very short of expectations. It fails to compete with YouTube quality broadcasts. As a result, there is often no compelling reason for a person to attend a worship service that does not engage the person while attending. Congregational singing is the single most compelling reason for people to attend a worship service, second only to the preaching of the Gospel. Fellowship is another reason for Christians to meet, but fellowship is not part of the worship service. However, it does get people to church if they like the people they meet.

It is no secret that many pastors and worship leaders lament how the audience fails to participate during congregational singing. It’s not that the people don’t want to sing; they do. Instead, it is because the room cannot support congregational singing, no matter what technology is used. Churches seem blind to this fact. Instead of turning to the Bible to fix the worship space, for the past 30 years,…

For the rest of the Article, Is Technology Killing the Church?

Please add your comments below.

Posted in Church Acoustics, Educational Must Read Articles | Tagged: , , , , , , , , , , , | Leave a Comment »

Flow Chart of the House of Worship God Designed for the best Sound and Acoustics

Posted by jdbsound on November 4, 2021


The path to the best sound and acoustics for a church can be found in the Bible. Who knew! Here is a printable version of the House of Worship flowchart. There are a number of updates, improvements, and, a bonus, the secret sauce recipe for church acoustics. All of it is based on the scriptures.

The flow chart is in two parts. The first part details the temple in terms of how every part of the building points to Jesus and Christians and how the Holy Place was a template for the modern church. This section can also be used as a Bible study or study guide for anyone interested in Solomon’s Temple.

The second part does a deep dive into the sound and acoustics side of the temple and how that translates into meeting the needs of modern churches.

The house of Worship that God designed solves the one problem most churches have – poor congregational singing. Studying this method of sound management for churches solves the congregational singing issue, and it removes most of the limiting factors that affect all sound systems. It seems that there is a symbiotic relationship between good congregational singing and amplified sound that was unknown until a Biblical solution to church sound management was applied.

There are many churches that have very high quality, and expensive sound systems that are performing well below their full potential, and most church owners don’t have a clue of either how much better their sound system should be performing or are unaware of how much unmanaged acoustic or the wrong kind of acoustical treatment is limiting what their sound systems could really do.

The other thing that must be made clear, no sound system or electronic technology can affect congregational singing. The only effective method of bringing good congregational signing into existing churches is by using the method found in the Bible. This method of managing church sound can be universally applied to all existing building shapes and designs, denominations, and all worship styles. Many pastors and church apologists often say that the scripture is sufficient in all things. Applying the Bible’s method to managing the acoustic of a church once again proves that such thinking is also applicable to the modern churches Christians around the worship own and use to worship God.

The file is large and can be printed into a 23-page document to be shared with others.

Flow Chart of Solomon’s Temple

Posted in Church Acoustics, Educational Must Read Articles | Tagged: , , , , , , , , , , , , , , , , | Comments Off on Flow Chart of the House of Worship God Designed for the best Sound and Acoustics

Passive verses Active Worship. Is there a difference?

Posted by jdbsound on October 8, 2021


Many people ask how the panels will look before hearing how they perform when it comes to managing the acoustic of a sanctuary for worship. Here is a short video comparing two acoustic treatments. One system comes from a non-Biblical solution that partially works and is very expensive. The other system comes from the Bible. It provides the proper acoustical conditions for worship every time and at a fraction of the cost. Our experience shows that most church members change their opinions on aesthetics when the acoustical fix does a great job of fixing the room.

Congregation members of most churches do agree with one idea. It seems that if the acoustic system fails at improving congregational singing, the panels on the wall have to look good as wall furniture. If the acoustic treatment improves all parts of worship, especially congregational singing, concerns about how the panels look melt away. The aesthetic issues disappear.

The half-round diffuser systems are also passive noise cancellers. If you have a noisy HVAC system, they can reduce noise up to 20dB at no extra cost without over-dampening or compromising the worship space acoustics.

If you have any questions or comments or want other subjects discussed, please post them below.

Phase Gradient Diffusers vs. Tube Radiators. Which gets better results. Church Acoustics

Passive worship is when people feel alone during congregational singing. Feeling alone prepares people for hearing a feel-good message, whether it is prosperity or a self-help gospel.

Active worship is when more than 60% of the congregation is actively singing all the time, and for some, sing the harmonies in the hymns. When there is active singing, it helps to unite people to hear the full Gospel message regardless of how strong that message is preached. Active worship often leads to a stronger church and people making long-term relationships.

The acoustical condition of a worship space is a very accurate measuring tool to determine the type of worship any church practices. A good-sounding worship space supports congregational singing and does a better job at supporting amplified speech with less sound equipment.

An under-performing worship space not only makes a room full of people feel like they are all alone, but it takes 3 to 4 times the audio equipment to get decent speech quality, and since less than 60 to 75% of the congregation is not singing, the excessive sound system is also used to entertain the congregation with worship teams and performance singers. What better way to end a long session of feel-good music to cap it off with a feel-good message. Here is an article that explains this more.

By Joseph De Buglio

Posted in Church Acoustics, Educational Must Read Articles | Tagged: , , , , , , , , | Comments Off on Passive verses Active Worship. Is there a difference?

Church Acoustics is really simple.

Posted by jdbsound on September 24, 2021


At least according to the Bible.

Church sound is in a mess.  Many Christians are being denied true Biblical worship, and they don’t even know it. There is an easy way to fix it, and the solution comes from the Bible. The following article covers many details on how the Church community has gotten itself into this mess, and a proven solution from the Bible that works 100% of the time is shared in detail.

The article is 15 pages and is about a 30-minute read. If you want to just get to the recipe for the Bible’s solutions to ideal church acoustics, where you can upgrade any existing worship space, go to page 11. However, suppose you want to know what direction your church is going and to understand how acoustics is changing church worship into church entertainment. In that case, there is an opportunity to reverse the decline and restore the kind of worship the bible describes from cover to cover.

PDF Article Link – Church Acoustics is really simple

Posted in Church Acoustics, Educational Must Read Articles | Tagged: , , , , , , , , , , , , , , | Comments Off on Church Acoustics is really simple.

Passive versus Active Worship. Is there a difference?

Posted by jdbsound on July 26, 2021


Introduction

Within the Church community, when someone speaks of worship styles, they will often refer to one of these terms, Traditional, Contemporary, Blended, Liturgical, Pentecostal, and Charismatic.  These terms are not exclusive, but they are an accurate description of how worship is conducted.  When studying congregational singing, all churches fall into one of two groups: Active Worship or Passive Worship.  Active worship is defined as congregations that always have more than 50% of the people singing.  Passive worship is when less than 50% of the people are singing all the time.  In most churches, less than 30% of the congregation is singing all the songs.  This single observation is the most common link that is driving many churches to turn to an entertainment style of worship.  Let us look at why many churches are going in this direction.

Traditional Passive Worship

Under the Traditional, Contemporary, Blended, and Liturgical styles, there has always been a commitment to an active style of worship – meaning – that the congregation is expected and encouraged to sing.  In some houses of worship, they sing acapella, while other churches will have a person conducting with the traditional piano and organ.  Some will add a guitar and bass.  While the focus is on the people actively singing, even if only 20% of the congregation is singing, it is accepted.  For these churches, the musical instruments are downplayed, even though they unintentionally perform louder than the congregation.  For these churches, the focus is on the Gospel message within most hymns and songs they sing.  This leaves some people with the idea that worship is boring or lame.  Some think that this style of worship is old, outdated, and needs to be modernized.  For the churches that have tried to modernize, the level of active congregational singing has not changed, and the impact of attendance decline continues.

Contemporary Passive Worship

Under the Evangelical, Pentecostal, and Charismatic worship styles, we should include churches that also use the word “contemporary” in defining their worship.  For these churches, it doesn’t seem to matter if the congregation is singing or not. The service, being conducted by a music team or band, will have the sound levels of their performance dominating everything.  The worship leader will choreograph songs and some Bible verses to get more people in the mood to sing.  Words are projected onto a screen where some people just mouth the lyrics.  Others attempt to sing loud enough to try to hear themselves and hope they are making a joyful noise.  Regardless of how much effort is made to get the congregation singing, less than 30% of the people are actively singing.

Some Evangelical and Pentecostal churches fall under a conservative style of worship.  What makes these churches conservative is that everything is focused on the coming sermon.  For these churches, it can take up to 45 minutes to get to the sermon.  Between prayers, announcements, scripture reading, someone making a presentation in song or words, and 3 to 5 songs that take up 20 minutes for their worship, the emphasis is on Jesus, the Gospel, or a lesson the congregation needs to learn.  Attendance in these churches is often directly linked to the preaching skill of the pastor, regardless of if they are conservative in their messages or not. 

The New Age of Passive Worship

Churches that have heavily invested in technology and worship teams, come under two groups.  They are either part of the conservatively lead churches, where the sermon is the main event of the worship experience, or they are the hyper evangelicals, where the music portion of the worship service is 30-90 minutes long. Often the music is as long as or longer than the sermon. 

For a growing number of churches, there has been a dynamic shift in worship styles.  The transition is a style of worship where the visual experience is synchronized to music. Where lighting, video, and moving images are synchronized to amplified music.  Churches are adding motorized lights that can change colors and video walls to create an atmosphere ripe to deliberately stimulate the senses.  In this environment, the song leading is crafted to guide people into a manufactured, energetic form of worship.  Even if people are not singing, at least some are swaying to the music, and others are raising their hands.  For such churches, the music has become the event, not the teaching of the Gospel.  Furthermore, in such churches, the Gospel is hardly part of the message. 

Rather, it is a message that is mostly about what God can do for me and a strong focus on how I can become a better person.  These messages promote programs and steps, and when followed, the members are promised a better life.  The teaching is tithing, serving at a food bank, and helping people more, and the reward is a better self.  Just praying to God, the sinners’ prayer with a promise to do better, is a ministry of works, not salvation.  James 1:19-27 clearly explains how people are to Love God first.  After learning to love God and becoming dead to self, then a person is properly motivated to follow His laws (notice that it doesn’t say to obey them).  Christians are to be doers of the word.  Because we love God, we do what the Bible teaches.  Sadly, many ministers teach it the other way around.  Their message is, do the work for a spiritual experience to feel better.  Feeling better means being saved!  Right?  No!

There is nothing more deadly than a carefully crafted message of false hope and a message for a better life by doing things that include something holy, sacred, spiritual, and secret, and never knowing what true salvation is.  These are people who have never experienced being transformed by the Holy Spirit as Jesus had promised everyone who accepts Him as Lord, who is our sin sacrifice, and begin a new life as a born-again Christian.  When a person accepts Jesus as Lord, what changed?  The change was going from hating or being indifferent about God to loving God.  This is it.  A person who is Born again will have the Holy Spirit helping them to stay on the narrow path.  A person who thinks they are Born Again and continues a life of sinning without a second thought may not be saved at all.  This is the trap of false teaching and teachers.  The addictive entertainment style of feel-good music and messages is crafted to create a manufactured artificial spiritual experience found nowhere in the Bible.  Anyone promising a better life by following a recipe outside of the teaching of the scriptures is a wolf.  That includes teaching where scriptures are taken out of context to say whatever message the composer wants.

Passive Worship is turning into Secular Style Entertainment

How are so many ministers getting away with preaching such a distorted message?  Mostly through entertainment.  Going to a healing service is like being at the circus?  It often begins with a short pep talk and then music for thirty to ninety minutes long.  During that time, promises are being made and testimonies from people who are caught up in the hype, raising false hope to a feverish pitch.  They shout out repeatedly, “Your faith will set you free!” followed by, “You pray, and God will give you whatever you want!” Where in the Bible does it say that God is a servant to man?  Rather, true Christian disciples choose to serve God as an act of reciprocating love.  When people get stimulated enough, the focus on true Biblical teaching gets diverted with shrewd speech.  The message is focused on the “new golden calf,” on the promise of miraculous healing on demand.  Here is when the blinded follower will do almost anything to get what the fake healers are promising or selling.  It is common that during such an event, the collection plate is passed around more than once, and the first time is before the healing service begins. The second or third time is during the healings and then at the end of the service/show.  They talk the devoted followers into continuous tithing for a miracle.  The hidden message is that healings and miracles can be bought.  That money is the replacement image of God, but what they are really doing diminishing faith down to nothing more than a “faith healers’ lottery game.”  Faith and salvation is not a game that can be bargained with.

The Elephant in The Room

This carnival-like atmosphere over time has moved from healing services into an entire worship program that gets people engaged into the most important person in their lives – self.  This artificial entertainment style of worship has progressed into an alternative to confronting the elephant in the room, “room acoustics.” Room acoustics controls how many people will actively sing during congregational singing.  Who wants to sing in a room where hearing one own voice isn’t possible, nor the person nearby, no matter how much effort is made?  The unmanaged room creates the feeling of loneliness.  Sure, there are many times in almost every church where more than 50% of a congregation will sing a very familiar song, especially to celebrate an event. Such singing happens only a few times a year and, in most rooms, it sounds dull and forced.  There is no return on anyone’s effort to sing with other people.  For most churches out there, regardless of size or attendance, only 15% to 35% of the people sing 95% of the time.  With such low participation, no matter how good the song leader or worship teams are, getting people to engage in the worship singing becomes an effort of futility.  Out of desperation, people will do whatever will work. 

The church is not built on Programs

Many churches have chosen an entertainment style of worship to draw more people into the flock.  With enough technology, anyone with modest musical talent can create an energetic rock concert-like atmosphere to get people to be passively engaged, if not actively engaged.  The difference is people can be stimulated with sight and sound to trigger the senses to release those feel-good drugs the body naturally creates called dopamine and endorphins.  Music can move people to started tapping a foot or finger when hearing a familiar feel-good song.  Music stirs feelings when several songs are played back-to-back.  When the music changes or stops, it often leaves people wanting more. 

Music is often used to trigger the body to crave more.  When the high energy and emotional music stops, there must be an equally good emotional message to follow up to keep the dopamine and endorphins flowing.  What better attention-grabbing message than a message on self?  And what comes before the sermon and after the music?  Most churches pass the collection plate—what better time to get people to give than when they are all pumped up and engaged into a well-crafted program.  There are church leaders and pastors who have been trained in the art of knowing how to carefully manipulate people with music and feel-good messages. Those churches will hire professional musicians who have had some success in the concert music world to shape the beginning of a church service to hyper-stimulate people to get them addicted to participating in passive worship.  If this sounds like a seductive form of brain washing, rest assured, it is.

People are so pumped up, not realizing that even though they are surrounded by many people and enjoying this passive form of worshiping, deep down, many have this subtle and distressing feeling that they are still all alone.  The common thread in all these churches is acoustics.  The room physically cannot support congregational singing.  Everyone wants to sing but they give up because of how the room makes them feel.  Before worship starts in some churches, the young people are encouraged to put their hands up and sway to the music as they scatter throughout the audience.  When people see the youth doing this, it looks so spiritual.  That is when peer pressured sets in and more of the audience joins in to make the appearance, they are actively worshiping.  Watch any YouTube video where people are raising their hands in worship and it will be the youth, spread throughout the audience, raising their hands up first.  How artificial is that! 

Active Christian Worship

However, that is different than being in a worship space where the acoustics are so good; over 50-80% of the congregation sings without being self-conscious.  They are singing effortlessly, with complete freedom to express themselves as a coral of congregational singers expressing themselves, often with four-part harmonies. This is what active worship is like all the time.  When the acoustics of a church is good, it is easy to have enough people engaged in singing to the extent that there is no need for an entertainment style of worship to lead the congregation.  When the worship space properly supports congregational singing, people will also do a slight sway and raise their hands for many of the traditional and modern hymns.  These people do this spontaneously because they are free to comfortably show their love for God.  They don’t do this to make themselves feel good, but it does help to feel a sense of peace to show God love in a respectful way.  This is not about getting rid of worship teams, but where the job of the worship leading is reversed.  Where the worship team follows the congregational singing in a support role rather than leading and overpowering anyone who is singing, even if their joyful sound is just a whisper.  This is different than when music is used to manipulate the audience into hyper stimulation and feeling better about themselves. 

History on the Order of Worship

Another item that will be seen as controversial is the notion that music should follow the reading of scriptures and the teaching rather than before the sermon.  The Gospel message, when properly taught, is never a feel-good message, but rather, it is supposed to be about reinforcing our love for God as a community.  The message is about keeping the believers on the straight and narrow path.  It is about following God because we love Him, as He has always loved us.  It is about following His laws to be safe.  When Jesus ended the Sermon on the Mount, He didn’t end the lesson as a feel-good message.  When Jesus finished preaching from a boat in Matthew 13, that message also ended as a warning.  In preaching the Gospel properly, the end of most sermons will either be a warning or a lesson in how to be a follower of Christ.  There will be teaching on sin, repentance, and change.  There are no feel-good messages in the Gospel. 

And when should the scriptures be read?  Through Jesus’s own example in Luke 4:16 “And he came to Nazareth, where he had been brought up. And as was his custom, he went to the synagogue on the Sabbath day, and he stood up to read.” In most cases whenever the Pharisees or scribes confronted Jesus, He would answer with a scripture verse first, then a rebuke or teaching. 

Here is the dilemma, people get emotionally hyped with feel-good music at the beginning of the worship services, only to be brought down to earth by the end of the sermon.  The pastor closes with a 1- or 2-minute prayer.  Then out of consideration or desperation, the closing song is for blessing or to brighten things up.  There is no time for reflection or meditation on the sermon.  If anything, the song is more of a distraction than comfort.  It’s no wonder people hardly remember what the sermon was 10 minutes after worship.  The reality is, it takes several songs to lift people up, but with everyone already investing over an hour into the worship service, most people are not in the mood to be comforted by three to five more hymns or songs again.

As it was the practice until the 1800s, worship service in protestant churches began with the reading of a complete scripture passage of the Bible by an elder or someone who has rehearsed the passage, or a person who is talented at reading out loud to an audience, The passage or passages should reflect what the sermon will be about.  Next is the sermon; after that is a time of prayer to reflect on the sermon, and engage the congregation further, a short Q&A lasting 5 to 10 minutes to secure the understanding the minister taught everyone, then announcements.  Finally, 3 to 5 songs to lift people up as a group where their unison of singing strengthens them in the message they just heard, regardless of how hard or direct the teaching was.  Biblical singing is about celebration with God and His teaching.  The Sheep will flock to a full Gospel message while the goats will run.  In researching about church history, it wasn’t until the 1820s where worship music moved from the end of church service to the beginning.  This was done deliberately to get people excited for the following feel-good message.  Yes, even 200 years ago, getting a congregation to have more that 50% of the audience singing was a struggle and historically, congregational singing has always been an issue dating back to 4th century churches.

Bound in a False Spiritual Trap

Sure, there are some charismatic ministers who can start off with a feel-good message without music to get things started, but the reality is, without the music, people are not going to stay for an hour for a feel-good message unless the pastor is a guru at motivational speaking.  People who participate in extended music programs become hyper-stimulated. They become malleable in teaching and brainwashing the followers into- whatever cult or false teaching they want to bind their followers to.  The hidden message here is to divide and conquer.  Fill the building with goats, call it church and watch the sheep scatter.  Making the sheep feel like they are failures. 

Having people worshiping in a room where the wrong type of acoustics cannot support authentic congregational singing, and by having an entertainment style of worship, people are trapped into being happy and feeling alone at the same time.  The false hope is that in going to the church, the feeling of loneliness during worship is replaced with “works” by helping with random, well-advertised “community” feeding programs, community projects, staging drama and music concerts, small groups programs, volunteering, tithing, and a hope for a taste of a holy or spiritual experience.  The entertainment style of worship draws in people with good hearing, which is mostly younger people.  Older people are excluded, and without elders who are not brainwashed to hold the leader accountable, the person leading such a church can get away with running the church like a business and do whatever they want. There is nothing more contentious than a church full of young people without older people who can demand accountability when the leadership becomes questionable.  

For an entertainment style of worship, where lighting, video walls, online TV video cameras, a huge sound system, paid musicians, and drama performances are as good as shows people would see in Las Vegas, worship quality acoustics doesn’t matter.  The whole program is set up to entrap people, take their money in an artificial religious experience where people come and go like a revolving door.  None of this is from the Bible, but the Bible is hyphenated to create a false message, blinded by the heavy use of technology.  Sadly, those who leave such a church often want nothing to do with Christianity again. This cycle of keeping people from the message of salvation must end.

The Bible is the Source for Meaningful Church Growth

The proper type of room acoustics that supports congregational singing does not need any gimmicks.  It quickly becomes apparent as good worship spaces become distinguished between being drawn into a ministry of salvation and loving God, or an organization of false teaching and false hope.  The Bible is the source of everything we know about God.  The Bible is also the source for knowledge about the right type of church acoustics for modern church buildings.  When canvasing and testing churches, 95% of all existing church buildings in a giving community cannot support active worship?  This is a problem the whole church community is struggling with all over the world.  The churches that are trying their best to stay on the straight and narrow path Jesus taught are losing to churches that are filling buildings void of the message of salvation.  Entertainment is the new gospel, whether it be a seeker sensitive, purpose-driven, or a self-help preaching message.  Church acoustics that cannot support the kind of congregational singing that can unite people is the single common thread all these church buildings share, and it leaves the church vulnerable to false teaching and teachers.

The good news is that the Bible has a universal plan that can transform any existing church from passive worship to the right type of acoustics for active congregational singing and maximize speech clarity at the same time.  In studying the Bible for answers to the right type of worship acoustics, the scriptures say who designed such a system – Jesus – the author and finisher (John 1:3, 1 Chronicles 28:19, Hebrews 12:2).  Unmanaged acoustics is simply a noisy room and entertainment style of acoustics is where the room has no performance qualities for worship whatsoever.  It allows false teaching and teachers to hide in plain sight within the walls of a building where worship service looks more like a talent show to a false god, and the minister is playing the audience like the Pied Piper.

Other clues of false teaching are:  Are the people encouraged to bring a physical Bible to worship services?  Are most of the song’s choruses?  Are some of the choruses repeated more than three times?  Do the verses of the songs have true Biblical teaching or are they about creating warm and fuzzy feelings?  Are the song leaders swaying to the music back and forth with their eyes closed, looking like they are in a trance?  Are all the texts the minister uses conveniently posted on a large screen for a short time, not giving anyone time to look them up?  Does the minister read full passages of what they are teaching, or are they just quoting fragments of the scriptures, hoping no one will read their Bibles?  Does the sermon begin with reading a complete passage of scriptures, and start teaching from what was read, or does the speech begin with a story – often with the minister involved?  (2 Timothy 4:2-4, preach the word; be ready in season and out of season; reprove, rebuke, and exhort, with complete patience and teaching. For the time is coming when people will not endure sound teaching, but having itching ears they will accumulate for themselves teachers to suit their own passions, and will turn away from listening to the truth and wander off into myths.)  For those who follow such teachers, things don’t end well. 

Seriously, Acoustics can help fix the Church!

A church with good acoustics that can support proper congregational singing, in most cases, can expose the sheep from the goats and those wolves in sheep’s clothing sitting next to the sheep.  There are many people giving up on the church, as attendance seems to be declining. Fixing the acoustics of a church for better congregational singing is one way to fight back dwindling attendance that doesn’t involve innovative outreach programs or turning to an entertainment style of worship.  If anything, it helps the minister to feed the Lord’s sheep and to fulfill the promise; when Jesus said in John 10:25-29,  “I told you, and you do not believe. The works that I do in my Father’s name bear witness about me, but you do not believe because you are not among my sheep.  My sheep hear my voice, and I know them, and they follow me. I give them eternal life, and they will never perish, and no one will snatch them out of my hand. My Father, who has given them to me, is greater than all, and no one is able to snatch them out of the Father’s hand.  I and the Father are one.” 

Church acoustics is a tool, much like hymnals, Bibles, pianos, organs, choirs, and sound systems.  Good acoustics can’t fix the health of a congregation, but a better worship space will expose false teachings and make the preaching of the Gospel easier.  Some churches are not prepared to see the congregation separate as in the sheep from the goats, for once the goats leave, where will the sheep come from?  Have faith that the Gospel message will bring the sheep back, and before long, the flock will grow with new sheep.  That is the true work of the Holy Spirit.

For the Record

From the firsthand experiences of many churches that have already upgraded their acoustics, the change begins with a healthier fellowship through congregational singing.  Active singing during worship can be the difference between following Christ and hearing the preaching of the whole Gospel message and worshiping in a place that divides the church community by not addressing the elephant in the room.  This may sound like a stretch, but after seeing hundreds of church buildings transformed and observing with following-up visits how acoustics directly contributes to a growing congregation, the impact is unmistakable.   If there is any good news here, it is a fact that in following the Bible for true acoustical change, any church can afford it, regardless of the size of the sanctuary.  The secular community can’t make that claim ever.

Those who have read this far and worship in a church building that doesn’t support active congregational singing, have some faith.  In Mat 17:19-20, “Then the disciples came to Jesus apart, and said, why could we not cast him (the demon) out?  And Jesus said to them, “Because of your unbelief. For truly I say to you, if you have faith like a grain of mustard seed, you shall say to this mountain, Move from here to there. And it shall move. And nothing shall be impossible to you.”” Making a difference is possible by letting those in leadership know that there is a Biblical way to bring real Christian worship back into the Church and start by attracting those distracted and wandering sheep who know His Voice back into the flock.  Then, have faith that the Gospel message will do the rest.  What happens after that is all about leadership and who is the head of the church.

Copyright © Joseph De Buglio 2021

Posted in Church Acoustics, Church Sound Systems, Educational Must Read Articles, Rants | Tagged: , , , , , | Comments Off on Passive versus Active Worship. Is there a difference?

Bible Flow Chart from Solomon’s Temple to Modern Church Design

Posted by jdbsound on June 4, 2021


Here is an updated flow chart from Old Testament to New Testament, to help lift churches out of limiting themselves to entertainment styles of worship.

I think many people would agree that there is no experience better than singing in a church, with a congregation, and where everyone wants to sing.  Can you imagine singing in a church where 70% or more of the congregation sings all the time!  What a concept to be singing in a room where you know that your voice is contributing along with everyone else’s. Singing in unison or in harmony sounds just as heavenly and exciting—singing in a church where it sounds just as good with or without musical instruments contributing or leading the worship.  Many people dream of such a church sanctuary that performs like this.  Do such worship spaces exist?  Can a church be transformed into having such qualities?  

When only 20 to 30% of a congregation is singing, and the rest are passively swaying to the music, some with hands in the air and others almost dancing on the spot, is that the kind of worship the Bible describes?  Why don’t more people sing?  Is it because of the music, the hymns, the sound system, or could it be because the room is not able to support the kind of congregational singing described in the Bible?  If the room can’t support good congregational singing, that becomes an acoustics issue, and when most churches try to fix their worship spaces, they often kill the room to make the sound system perform better which makes the congregational singing worse – never better.

Evidence shows that it is easier for a church to resort to an entertainment style of worship because the secular community has not demonstrated any method of fixing the congregational singing issue in existing churches, and new churches opening these days are void of such performance qualities.  That then begs the question, is the entertainment style of worship honoring God?

In the Bible, there are no examples of musical instruments leading the singing, rather, the instruments followed the singing of the people.  When there is a worship team performing in most churches, the worship leader prompts the congregation to sing, and the performers who play instruments, follow the lead singers, not the congregation.  Often it is because they can’t hear the congregation singing at all, and they use floor or IEM monitors to follow the lead singers.  The reason the musicians and singings can’t hear the congregation is because of a room problem.  This creates a room full of people passively worshiping rather than actively worshiping.  That is not much different from going to a music concert.  Is worship in music as long or longer than the sermon? 

What does the Bible say about any of this?  God designed a house of worship in the Old Testament.  Why?  Why didn’t God leave it up to David or Solomon to design something that they wanted?  Why was God so heavy-handed and specific to its design.  Was this house of worship to be a relic of the past, something for the future – and something for the present? 

If the temple was to be a relic, then why are there so many specific details?  Why were those details preserved for over 3500 years?  What if in those details are solutions to many of the problems many churches have today – not just with sound problems, but other issues churches struggle with today? 

Study the flow chart. See what happens when 3500 years of history collide with science.  If there are any errors, let me know.  This work is a result of 27 years of fixing and documenting over 300 churches with another 100 plus churches that copied from the 50 church examples posted who informed me of their successes and from studying over1400 churches since 1983.  Visit my blog if you want to know more about the results in following God’s way to design churches and manage sound.

Posted in Church Acoustics, Church Sound Systems, Educational Must Read Articles | Tagged: , , , , , , , , , , , , , , | Comments Off on Bible Flow Chart from Solomon’s Temple to Modern Church Design

Did you know that there are Secrets in the Bible still being Discovered?

Posted by jdbsound on July 17, 2020


Does God say anything about modern church design?

What does the best sounding church for worship sound like?

Is it possible to have the best balance for speech, music and congregational singing?

Does the quality of the acoustics and sound system at your church honor God or Man?

The battle for a person’s soul is a constant war on many levels. The people involved are ministers, preachers, scholars, experts, archeologists, historians, prayer warriors, educators, and ordinary Christian people who provide different ways of bringing the message of salvation through Jesus Christ. The tools we have are Bibles, books, reading materials, colleges, universities, missions, donations, churches, multimedia, sound systems, and more.

Christians are taught in the sufficiency of scriptures. Many believe that the Bible is the inspired word of God and never question it. Some of the knowledge in the Bible is still teaching us today. It is only now that we are learning how relevant it is for all Christians and Jews.

Since the beginning of when Jews, and later Christians, started to build larger spaces for teaching and worship, most projects would run into common problems. These problems have been like a plague for Synagogues and Churches alike. The solutions to those issues seem elusive or beyond reach and yet the remedies to most of those issues have always been in the Bible.

For the rest of this article,   Bible secrets in the open

By Joseph De Buglio

Posted in Church Acoustics, Educational Must Read Articles | Tagged: , , , , , , , , , , , , , , , , , , | Comments Off on Did you know that there are Secrets in the Bible still being Discovered?

How to fix Congregational Singing Acoustically in any Church

Posted by jdbsound on March 6, 2020


Congregational singing is perhaps the third most important part of worship.  Prayer and preaching of the Gospel come first and second.  In many church publications and websites, there are many articles about how to improve congregational singing.  When you say improve congregational singing, what are you truly asking for?  In almost every case, they are asking how to get more people to sing.  And the theory is, that the more people are singing, the more they will be engaged.  The means of how they attempt this is with a high power sound system and strong leadership of the lead singer in a praise band. You never hear them suggesting to fix the room.

Here are some of those titles. 

  • 7 Tips To Encourage Singing in Your Church – Gavin Adams
  • Nine Reasons People Aren’t Singing in Worship
  • 12 Things to Avoid for Better Congregational Singing
  • Fifty Ways to Guarantee Poor Congregational Singing
  • How to improve congregational singing: 4 suggestions to …
  • A Simple Way to Improve Congregational Singing: Get Rid of the Carpet

There are many more.

The ideas recommended are extraordinary, and most of the time, they are putting the bulk of the load on the church leaders, including the pastors and song leaders. This is so wrong.  The truth is, all of the recommendations outlined are the results of trying to put a square peg into a round hole.  There is a simple solution to all of this.  When you read the articles, what church leaders are doing is a direct result of compensating for poor acoustical conditions.  Choosing the right keys to sing in, choosing a better selection of songs, hiring professional singers, and performers, in the end, it only helps things slightly.  The thing is, what the audience keeps telling me is that when they are singing, they feel like they are singing alone, it creates a sense of loneliness.  People feel as if no matter how loud they were singing, their efforts have no contribution to the overall volume of the congregation.  When you can’t even hear yourself, most people just give up and don’t bother singing.  Some may just mouth the words.

Sure, there are times when we see people at a concert singing a particular song, and it sounds impressive, but the reality is, those people will not sing the whole show at that volume.  It is more about having an emotional high and nothing more.  It is doing something to capture a moment for personal gratification and bragging rights.  That is not worshiping in any sense of the word.

My take on how to get the congregation to sing is by first identifying the source of why people don’t sing in your church.  In 90% of the churches that I have helped solve their congregational singing issue, it has always been around one reason – acoustics.  Here is some background you should know.

This is a new church with diffusers built into the walls. The quality of this room is such that when this photo was taken, the congregation drowned out the Pipe Organ. The organist said he pulled all the stops and he could not hear the organ for some of the songs they sang. At one point he stopped playing. With a sound meter recorder at the pulpit, the congregation hit 105dB several times and no one complained that it was too loud.

The struggles of congregational singing started long before the sound system was invented.  It is my belief that Choirs were formed originally, because when Christians first started to worship in existing pagan temples, (after the edict of tolerance,) most likely, those temples had such poor acoustics that the congregations back then had the same problem of not hearing themselves.  Then some talented singers found that if they stood in a particular part of a room, they could hear themselves and create an awesome sound of choral singing within the pagan temple.  That talent was later included as part of the worship.  When Christians started to build churches, when the buildings were finished, they asked the better singers to go to the part of the worship space where their voices were effective in creating this big sound where a few people would sound like many.

In the end, as more and more churches were built, the choir became the focus of congregational singing, and even though the congregation was encouraged to sing, the choir was the focus, not the congregation.  This continued throughout church history in one form or another.  Sure, some large cathedrals have these amazing sound effects. (Sound effects do not support congregational singing or speech.) Still, in the end, it is the choir and the organ that dominated worship, not authentic worship singing or hearing the Gospel.

Throughout the Reformation period to today, churches have been experimenting with worship space designs to discover the Rosetta stone of church acoustics.  Churches have been trying to create a worship space without any acoustical planning.  It hasn’t happened yet that we know of and if there is a church out there that works, where is it?  Why would it be kept as a secret?    When the room helps the singing of the congregation, the congregation will sing, and they will sing as loud as they are inspired to.  The same properties that makes congregational singing work, speech will be equally as good.  Around the world if there are such churches that have the proper balance of sound, for speech and congregational singing, why has no one documented these jewels or studied them to see what makes those churches better than others.  No one has made permanent records for future churches to follow. 

It seems that when a church gets known for its musical performance quality, it usually suffers from speech, and for years people have been brainwashed into believing that you can’t have a worship space that is good for both speech and music.  That comment is true, for a musical performance space or concert hall.  This is not what a church needs. A church needs a room to support congregational singing, not musical performances. 

When I get hired to fix a church, one comment that is repeated often is, we can’t afford or don’t want a concert hall.  That is the whole point.  You don’t want a concert hall, and it would be detrimental to a church to have such a space.  Concert halls do not support congregational singing, none of them do.  Concert halls are awful for speech.  If you look at most concert halls today, when it comes to speech, they close curtains, expose absorption panels, and they rely on costly sound systems to broadcast speech events.  Concert halls are either-or spaces.  They cannot support speech and music equally.  Furthermore, they don’t support audience singing at all.  How do I know that?   When I go to most of the churches that I have fixed in the past, when the attendance is around 90%, the congregation can drown out the pipe organ, the electronic organ, and the amplified worship team.  Yes, it is possible for the congregation to drown out a sound system with professional Christian performers leading the music.  That is what good acoustics can do in a worship space.  When people try to sing like that in a concert hall, it sounds like chanting in a sporting event.  It is not very musical and singing in four part harmony is out of the question.  In a worship space, a well-motivated congregation can sing over 105dB with the sound system off when the acoustics are managed for congregational singing.  If only the sound system could perform that loud without distortion and without the congregation complaining about the loudness.

Consider this, the invention of the sound system and its introduction into churches merely ushered in over time, the ability for contemporary worship, with the goal to get more people singing.  Yes, many churches tried amplifying the choir as a means to get the congregation to sing, it didn’t work.  When it came time for speaking, the sound system failed as well to amplify speech properly without feedback – This created a dilemma.  To make the sound system perform better for speech, churches add absorptive flat panels, and that usually means killing the room, which in turn, discourages singing.  The sound system was believed to be the solution to improving worship, but the truth is, the sound system can only amplify what the room allows.  In this struggle between the sound system and church worship, no one looks at the room as being the limiting factor.  Instead, observers and people asking whomever as to what can be done, the fingers point to the technology, the pastor, the song leader, and the soundmen who get all the blame.  All of the other recommendations are meaningless until the room is fixed.

The only complaint this church has is that congregational singing is much louder up front.

As I mentioned earlier, I fix the sound in churches all over the world.  Without changing the leadership, the pastor or song leaders, and without changing how worship is conducted, with the methods I use, most congregations go from 10 to 30% of the audience singing to 65 to 90% of the audience singing when the room is fixed.  That happens because there is a way to make the room very responsive to exactly what people need to hear and feel during the singing portion of worship.  At the same time, the same system improves the quality of speech, and as a bonus, the performance of the sound system increases substantially more.  Doing church acoustics correctly, is being able to have a room that does both speech and congregational singing equally well.  It also winds up being a good room for Christian concert and drama performances.  Is it really possible to have a worship space that does everything well?  Yes.  Should you think that this is about a compromise? Think again, it is not.

The method of sound management that I have been using in churches is not of my design.  I cannot take direct credit for these successes.  I learned from an expert in Church sound.  This sound management system that is now in over 450 churches, is the same method as originated by the hand that guided the fingers of King David, who designed King Solomon’s Temple.  The acoustical system that I use is the same system that was designed by God.  As I said, I can’t take credit for the success in the churches that have this system.  Here is condensed version of how I learned about it.

Years ago, I had read or heard this verse in 1 Kings 6:29, which says that on all of the walls within and without, there were carvings of Cherubs, Palm Trees, and open flowers.  Then one day and as the pastor was reading this passage from the pulpit, it dawned on me that the palm trees seemed out of place.  They have no aesthetic value.  There is no spiritual, nor ritual reason for having palm tree carvings on the wall.  Then the acoustical knowledge I was learning at the time kicked in.  If there was no acoustical treatment within the temple, the Levite Priests would have not been able to understand each other.  That room would have been ringing well over 5 seconds.  Under those conditions, even at 24 inches, the reverberation would have made it difficult to impossible to understand speech.  It says that in the large room of the temple called the Holy Place, that the priests taught, they read the laws, they played musical instruments, they sang and prayed.  They also did rituals that would have involved speaking.  What was in the room that allowed them to do all of those activities, which are also the same actions we do in churches today?

After doing a lot of testing and experimenting, I discovered that the shape of the palm tree could be mimicked with cardboard, wood or plaster tubes which come in a range of costs, depending on how important aesthetics are and the budget your church can afford. This changes the performance of any existing church into a high-quality worship space that supports both congregational singing and speech.  Before installing any churches with cardboard tubes, we tested a number of churches.  For the first church tested with cardboard tubes, we used 10 and 12 foot long tubes, leaned them against the walls of a church and left them there for three weeks.  At the end of three weeks, not only was speech so much better, but the number of people participating in congregational singing doubled.  This was a huge surprise, and it was unexpected. We repeated this test in a dozen churches, and all of them had similar results. With those outcomes, I started recommending churches to use half-round tubes around their worship spaces, and every time as a new installation was completed, the results were almost all the same. (Let’s face it, some room shapes are better than others.)  Speech improved, and congregational singing always was much better.

In most cases, at the 6th month follow up to an installation, the contact person would tell me two things.  The first was an attendance increase.  The second was that 65 to 90% of the congregations were singing every song.  In most cases, there was no change in leadership, or order of worship or how singing was conducted.  All of the deadspots in the room were gone.  Now you could sit anywhere and sing out and feel like you are part of something big.  Sometimes I also got glowing reviews of how the sound system was fixed when nothing was done to the system except for some equalization. 

Since around 1994, over 450 churches have applied this method of managing the sound in their worship spaces.  All of them have reported similar results.  The interesting thing was, most of these churches didn’t hire me to fix their congregational singing.  They hired me to improve the performance of their sound systems.  They wanted better speech intelligibility.  The half rounds tubes are the most cost-effective solution to improving the performance of any sound system.  This method fixes the sound system much better than using any absorptive panel. 

There is also a unique feature that half-round tubes have that no other acoustical system can do.  The half-round tubes, when laid out in a specific pattern, can equalize a room.  By adjusting the spacing, the sizes, and when using prime number sequences, if there is enough wall space, you can cut up to 40dB of excess sound energy from 50 to 1200 Hertz.  If your worship space has excess energy, for example, at 400 Hertz and it feeds back there all the time, you can space the diffusers to cut out that frequency range.  No other acoustical system in the world can do that.  The most powerful acoustical system in the world comes from the Bible, and it is designed by God.  Many people say that the Bible is sufficient in all things, and this is another example of that Biblical truth.

We have to stop blaming worship leaders, song leaders, and pastors for the lack of congregational singing.  Saying things like changing the key to sing in or changing the order of music is blaming the worship leaders, and because of acoustics, all of their efforts cannot get any significant results because the room will cancel their efforts.  Song leaders are always searching high and low for answers, and if you watch them carefully, they are constantly trying new things to get the congregation to engage more.  Sure, for the short term, they might get an additional number of people singing, but after a few weeks, it goes back down to where it was before.  It’s not that people don’t want to engage; it is because the room will not allow them to participate in group singing.  This is the real reason why so many churches with contemporary worship styles have sanctuaries that are as good or better that performance clubs in Las Vegas.  So many churches have turned to an entertainment style of worship.  How un-Biblical is that!

On the internet, there are plenty of videos of young people in churches with hands up in the air and swaying to the music, but if you look closely, most of them are just mouthing the words, they are not singing.  That is not worship.  When what goes on in a sanctuary looks more like a rock concert, it is not church or worship.  It is just clean, mostly unspiritual entertainment. 

If there is any blame to go around, here is an uncomfortable truth.  When I am hired to help a church, congregation members always tell me how, for years, they have been complaining to the church elders.  Since churches are so reluctant to share their experiences about sound to other congregations, most church elders feel helpless because there are no standards for church sound and acoustics for them to turn to.  When they ask consultants for help, they say, ask 10 sound guys what to do, and you get 10 different answers.  This madness has to stop.  The Bible has the answers to church sound, and it is a solution that is superior to any other system at any cost. 

The best way to improve congregational singing is by fixing the worship space to the same standards as outlined in the Bible.  In the end, this is the only option.  If your church already has more than 65% of the audience singing, you are most likely not having an issue of the congregation being engaged in worship.  For the rest of the churches out there, seek out what God can do for you.  You don’t need an expert or acoustical consultant or sound system engineer to have a successful transformation.  Churches can do this on their own.  All you have to do is look at the examples on my website and copy whatever layout you see.  If you need more help and can afford the cost of a consultant, hire one who understands the Biblical way to solve church sound problems and congregational singing.  There is no mystery or formula or program when solving the congregational singing issue God’s way.  Congregational singing is also a spiritual issue.  It is what binds up together as believers.  Stop solving spiritual problems using mans’ ways.  God’s way always works.  Don’t take my word for it.  Trust God.

(c) By Joseph De Buglio March 2020.

Posted in Church Acoustics, Church Sound Systems, Educational Must Read Articles | Tagged: , , , , , , , , , , , , , , | 1 Comment »

The Father of Modern Day Acoustics, Wallace Sabine and Solomon’s Temple

Posted by jdbsound on February 5, 2020


Introduction

In the field of acoustics and sound, many have said that Wallace Clement Sabine is considered the father of modern-day architectural acoustics. His scientific work was not only the foundation for concert hall acoustics, but few are aware of how his work has impacted the church community around the world. According to several sources, he was raised in a protestant home, but as an adult belonged to no church and professed no religious faith, yet his work has impacted churches in ways even Wallace could not have imagined. Wallace’s work included figuring out a prediction model of how to apply absorption to tame a room. He also proved that the reverberation time alone is not enough in helping performance spaces with their sound needs. He laid down a foundation, showing that you need much more detailing and care to create suitable sounding spaces, not just for concert halls, but for full Christian worship too.

Shortly after his discoveries and successes, most acoustical experts, Architects, engineers, and audio experts have focused on one thing, the reverberation time of a room – ignoring much of his actual contributions to modern acoustics. When Wallace created the first equation to calculate how much absorption is needed, most people thought that this equation was something magical. It was almost as if a single number could solve all sound problems for concert halls and performance spaces. While such a numeric value is essential, it was a small part of a much larger picture. Sure, Wallace did devote a lot of his time to such studies. Unfortunately, the absorption calculation moved from being a small tool as part of a broader view of performance acoustics to becoming the only thing that mattered. This equation gained mythological-importance to the point that for many laypeople….

To read the rest of this article, download the PDF file with this link. https://www.jdbsound.com/art/father%20acoustics.pdf

Once again we see science and the Bible in almost perfect harmony. Within science, there are many tools. For acoustics, there are specific tools. With the help of the Bible, it requires a set of tools that are unique to churches. For concert halls, recording studio’s and other entertainment venues, there are a set of tools for each one. Most of those tools do not apply to churches. When the tools of an acoustical consultant don’t use the Biblical tools exclusively, you will always get the acoustical performance of what those tools were based on. If you have only concert hall or studio or entertainment tools, then the results will not meet all of the needs of the church. If you use Biblical tools, you wind up with a House of Worship as the Christian community should have, but most churches don’t have a clue of what they are missing out.

Solomon’s Temple was very detailed in how it sounded. If you believe in the Trinity as I do, because of John 1:3 you know that Jesus design the temple that Solomon built. Without the acoustical planning in Solomon’s temple, the Levites would of had to have super natural powers to hear each other within the walls of the temple. There is no record of the Levites having such powers. What did they do to the temple to make it possible for people to hear in such are large space?

Here is something to consider. If Solomon’s temple is a myth, then the details of how the temple walls were completed should not have survived over history. After all, there is no record of the interior of Herod’s Temple other than some carving on the ceiling that Herod ordered which is not in the Bible. If someone says the Scriptures are not the inspired word of God, then the details of Solomon’s temple wouldn’t matter. But what happens when you apply the details of Solomon’s temple to an existing church? If it is a myth, nothing should happen. If it fixes a church, doesn’t that prove God, Jesus and the Holy Spirit? What does that mean if over 400 churches have applied such a system in faith, using the same methods from the Bible to make the acoustics of their churches as best as they can be?

The details of Solomon’s temple matters. Nothing in the Bible is about trivial nonsense. Everything in the Bible has a purposes and the details of Solomon’s Temple is a roadmap to fixing existing churches and it should be a template for new churches today now that we understand why such details were persevered for us in the scriptures today. How many more churches need to be convinced before it becomes a normal way to complete our houses of worship?

If anyone with normal hearing in a church has trouble understanding what is being said in God’s House of Worship, the Bible has the solution for that. And that solution is very affordable. Please enjoy the rest of the article.

The Father of modern acoustics

By Joseph De Buglio (c) 2020

Posted in Church Acoustics, Church Sound Systems, Educational Must Read Articles | Tagged: , , , , , , , , , , , , , , , , , | Comments Off on The Father of Modern Day Acoustics, Wallace Sabine and Solomon’s Temple