Church Acoustics & Sound Systems

With better sound, you can reach more people for Christ, one church at a time.

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Posts Tagged ‘JdB Sound Acoustics’

Why post free information about church sound and acoustics on the internet?

Posted by jdbsound on August 6, 2021

The Bible is sufficient in all things.  That includes worship space design, acoustics, and sound – including amplified sound.  While it is true that amplified sound did not exist until 100 years ago, by following the design details in the Bible, the result is having the fullest performance out of any properly designed and installed sound system and hardware in God’s house.  The moment the Bible’s teaching is ignored about sanctuary design and acoustics, it limit the performance of every piece of electronics installed. It limits congregational singing, and, in many cases, speech becomes compromised enough that the sound system becomes a barrier between the minister and the audience, denying some people the chance of understanding the message of the Gospel of Jesus Christ or the teaching the minister is trying to convey.

Every year millions of Bibles are printed and given away.  With the internet, the Bible is free and accessible to everyone around the world.  As said earlier, everything we need to know in building a house of worship that fully supports Christian Worship in every way is in the Bible.  The problem has been that while there have been examples of people who tried to copy Solomon’s Temple in the past, they failed because no one understood the real purpose of the palm tree carvings on all the walls and doors in this holy place.  If they had known its actual function, then it could be possible that both Jewish Synagogues and Christian worship spaces would all be looking very similar on the inside. 

For years people have thought of the carvings as decorative while others have given these shapes spiritual meanings.  While spiritual meanings can be attributed to the Cherubs and open flowers, the palm tree is the most out-of-place item within the temple.  Many Bible scholars and historians state that everything in the Bible has a purpose.  Then what was the purpose of the carvings of palm trees?

Furthermore, how did the details of the palm tree carving survive 3500 years in Jewish and Bible Scriptures?  Knowing a little about how the Bible was compiled, such detail could have been easily left out and forgotten unless there was a purpose for it that God wanted us to discover.  In 1994, I stumbled across the purpose of the palm tree carvings.  This led to a universal way to fix existing Christian worship spaces and Synagogues.  This method of improving churches is the most effective system of fixing worship spaces, and it is a very cheap solution as well.  Once the purpose of the palm trees and Cherubs were decoded, it became the key to unlocking how Solomon’s Temple was supposed to function.  I started looking under the gold and discovered that the temple is a template of every aspect of modern worship space design that all churches need, and it has been in the Bible all along.

I cannot speak to the reason it took us so long to figure all of this out.  I know that if I were to keep this information private or patented it or licensed it, it would deny more people from hearing the Gospel within worship spaces, and I do not want to be responsible for that.  It would be wrong for anyone to keep such information a secret to the Christian Church community.  Three years later, and after 30 church installs of this acoustical system, I began sharing my knowledge on the internet in 1997 as a DIY system any one church can do on their own.  I tested the worship spaces to document and confirm the effectiveness of this method of finishing the walls of existing sanctuaries is. 

The struggle of hearing and congregational singing within a confined space has been with us since Christianity began.  In 313, after Emperor Constantine became a follower of Christ and ended government persecution of believers, Christians took over pagan temples and began worshiping in them. Since then, Christians have turned to everyone else in designing worship spaces and have allowed the secular world to dominate church Architecture.  From then to the present, Christians have been worshiping in buildings that can never meet all of their worship needs unless that house of worship follows what the Bible teaches.

Today, because of radio and TV broadcasts, mass media, and the internet, the number of false teachers and wolves in sheep’s clothing are so abundant and clever that it is harder to tell who is teaching Christ and who is teaching a false version of Jesus.  These false teachers have become so good that they have formed congregations of people who are followers of a false Gospel and build large mega rooms, and claim that their buildings are houses of God.  There are thousands of congregations following false teachers around the world.  It is so bad that it is almost impossible to tell the false teachers apart from the faithful ministers for Christ.  Both in broadcasting and internet media, these false churches are now dominating the screens of what non-Christians are exposed to the first time they see this type of religion.  This form of religion preys on the poor, the weak, the un-education, and all classes of those looking for a shortcut to wealth and prosperity to satisfy their hidden sin of greed.

The one thing that I do know is that false churches don’t want to fix their acoustics as detailed in the Bible.  They want the kind of acoustics and sound systems that are as good or better than what you will find in Las Vegas or any other secular performance space.  They don’t even want their worship spaces to be as good as concert halls.  They want a place where you can put on a show, a place where it is easy to manipulate people’s feelings to be more receptive to false teaching.  Get people all excited for a half hour or longer, and you can get them to do and believe almost anything.  Then, add in lights that change colors, fog machines, huge video walls, and abstract backgrounds, and what doesn’t get you emotionally hooked with sound, they add “eye candy” into the mix to secure your loyalty to them.  These false churches put on a fantastic musical show. 

They don’t care whether you sing or not, as long as they can get you addicted to being in mood and be receptive to hearing false messages of spiritualized positive thinking.  Positive messages are always about focusing on self-improvement.  Self-improvement is code for placing yourself on the throne of your heart above God.  People are being duped into believing everything from being able to save yourself to deserving to be as wealthy as the false teacher they are following.  Not only do these false teachers put on a spectacular, addictive musical show, but they put on a verbal presentation that is as good or better than most professional self-help motivational speakers who also live like the rich and famous.

In a way, these false teachers have convinced millions of people into believing that their version of religion is better than winning the lottery.  Give us your money, and God will make you rich!  They turned tithing into the concept of buying lottery tickets as a group celebration.  The tickets have no numbers, the winner is always the leader, and the losers are all those people who don’t have a clue that there is a life after death.  Live for the moment, that tithe will pay out any day now!  People who are in this trap, do they know they sold their souls?  Nowhere in the Bible does it say such teaching or imply such promises.  One of the greatest fears these false teachers have is a worship space that performs as well as Solomon’s Temple.  Why?

When a worship space follows the Bible’s design for a house of God, the Christian will not need the show to experience authentic congregational singing and true Biblical worship.  They won’t need the manipulative entertainment performance to get people into a hyper mood.  The congregation will hear and understand the words in the songs they sing and get a blessing without being manipulated.  Singing chouses gets boring fast when somebody can’t maneuver you into a trance.  When you can get a blessing from singing hymns as a congregation, you don’t need to be entertained with a 3-ring circus.  True hymns include the Gospel message.  Most new songs that are sung as worship songs these days have no gospel message in them whatsoever. Saying Jesus 30 times doesn’t make it spiritual but telling people Jesus died for your sins just once can open a persons’ heart.  A true house of worship exposes false music entertainment performed in churches.  Once the false music doesn’t have a hold on the congregation, it becomes almost impossible for false teaching to follow.

Spiritual warfare comes in many forms, and one of them is by having houses of worship that perform better as an entertainment center.  It is in those places where a corrupted gospel can get a foothold into the church community.  Fix the houses of worship we have and design new ones as God always intended for us to have, and you can reduce the number of false teachers significantly. 

There is enough information here for you to figure out how to fix your church and get most of it correct.  By making this information freely accessible for existing churches, where they are determined to preach the Gospel, they can affordably upgrade their churches and add another roadblock to false teaching entering the church. Already hundreds of churches have taken the leap of faith, and all of them have seen and experienced dramatic change.  Trust the Bible, and you will expose your church to True Christian Worship, and you will join the other churches that are growing because of the Gospel, not in spite of the Gospel.

This battle cannot be fought alone.  With your help, pass this information onto other Christians and churches, we can put a dent in slowing down or stopping the ever-expanding plague of false churches around the world.  It becomes easier to preach Jesus and the full Gospel message the right way in large spaces when existing churches are transformed into acoustically friendly worship spaces.  Good acoustics is a big help in making God’s Word that much more effective. 

Pass this on.  It only takes a spark to make a difference.

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Does sound quality in a Worship Space –

Posted by jdbsound on June 22, 2021

  • Affect church attendance?
  • Affects church finances?
  • Affects church health?
  • Affects a church’s reputation within a local community?
  • Affects how people respond to the Gospel message?
  • Affects what a minister preaches the Gospel?
  • Affects how a minister preaches?
  • Affects people emotionally?

Myths vs Facts: 

According to various hearing organizations such as the American or Canadian Hearing Societies and other health organizations, 8 to 25% of people will have hearing loss or impairment within any community. For some people, the hearing loss is in one ear or both ears. For other people, using a hearing aid does make up the difference so those people can interact socially with others without needing to use sign language. The bottom line is, if a person can have a normal conversation in a living room but has trouble hearing and being engaged in conversations in larger rooms, these people are less likely to attend a church with less-than-ideal acoustics and amplified sound. Hearing loss, the invisible disability, does make social gatherings awkward for many. Numerous people with hearing loss resort to the practice of self-isolation from social events, including weekly worship services. Sound does have an impact on church attendance for those who have any kind of loss or impairment.

Good acoustics and sound system design in a church make the worship space much more accessible and appealing for those with hearing loss within any community. That is why churches that follow the Bible, when it comes to worship space acoustics, experienced a consistent and sustained 10% attendance increase on average 6 to 18 months after upgrading, while churches that just upgrade their sound system and not the acoustics realize a short-term increase of 5% and 2% over long-term follow-ups. Churches that upgraded both the acoustics and sound system saw no significant attendance changes when compared to churches that just upgraded the acoustics. (However, some churches did reinstalling the existing speaker system to take advantage of the better acoustical conditions and expand the performance of the sound system.)

These facts have been consistent with churches where the pastor, church leadership, and local economies had not changed from 3 years before to 5 years after upgrading the acoustics. The conclusion is, no matter how good or popular your pastor is as a preacher and leader, if the acoustics and sound system are not up to Biblical standards, there are many people who are being excluded. Depending on your point of view, some people see this as a denial of service.

Another thing to consider is that an attendance change of 10% also adds up to a 10 – 15% annual increase in tithes and offerings. For a typical 400 seat church, that could represent an income difference of $208,000.00 over ten years or enough money to replace a church roof.

(Fact: Most churches will sell parts of their property, including their parking lot, to pay for building repairs such as roof replacement.)

Church Size400 seating
Before average weekly church attendance230 people
People returning to attending because of hearing improvements10% or 23 people
Average giving per person (Health Research Funding Org. May 2020)$17.00
Weekly giving increases$390.00
Monthly increases$1,564.00
Annual increases$20,280.00
Over 10 years$208,200.00
Stats are provided from client follow-ups of 5, 10, and 20 years which followed the Biblical method of managing church sound.  The sample size is from 130 of the 400 churches that upgraded their acoustics between 1994-2019.


Not knowing if the acoustics of your church are up to Biblical standards could mean that your church is denying people from attending your church more frequently or from ever returning.

While there are many personal and spiritual reasons for people not attending a particular church, our records show that good acoustics combined with a quality designed and adjusted amplifying sound system constantly translates into higher attendance and tithing. For some churches, the better-quality sound translated into higher giving from people who did not have a hearing issue which was unexpected in our research. These were people who responded to a questionnaire where one of the questions asked, if they noticed the higher quality of sound and whether it affected their tithing. The most consistent response was that when the church board invested in its members by making the worship experience better with quality acoustics, then they felt it was worth investing in a church that took care of its own first, and out of the excess, they could better support others including missions. Church sound is not just an emotional experience; it is a physical experience that directly impacts church attendance and finances.

The Biblical standard for church sound comes from the Bible and specifically in the Story of Solomon’s Temple. In following the story literally, we find that what God designed through the hand of King David is a house of worship that makes it possible for modern sound systems to perform at their highest levels. This makes the room compatible for people with all ranges of hearing loss, and it provides ideal sightlines for people who start to learn lip-reading as their hearing declines with age. Solomon’s Temple is also compatible with ADA (access for Disabilities Act) and other similar laws around the world as the Temple had no steps in the sanctuary, making the worship space wheelchair friendly, even before wheelchairs were invented. Solomon’s Temple doesn’t just set the standard for church sound; it sets the standard for all aspects of church worship and building planning.

You should get your worship space assessed and know it’s acoustical score. If there is room for improvement, have a plan in place when your church can afford to upgrade. On the other hand, some churches have upgraded their acoustics as a last-ditch effort to remain relevant in a local community. All of the churches that made such a desperate move are still open, healthy and have expanded their status in their local community. The knowledge we now know about Solomon’s Temple can benefit your church today.

Then there is the issue of quality versus quantity or loudness. Do people want their sound louder or of better quality? Research suggests that most people choose quality over quantity, hands down. This is especially true for people with hearing problems. While those with hearing loss and using aids to help them hear, a loud sound with distortion renders their hearing aid less capable of help than a clean sound at a lower volume.

Sound systems that have too much distortion at any level are a turn-off because distortion can become painful as the sound levels increase at certain frequencies. Many expensive high-end sound systems are distorting long before reaching their maximum loudness levels. Young people who hear distortion tolerate it better than people over 25 years of age. They often have the mindset that if you turn up the sound system loud enough, the distortion goes away. What they are really doing is desensitizing their ears while damaging their equipment at the same time. Ears have a limited natural way to protect themselves by tightening muscles around the ear canal and drum for short-term excessive noises. For older people, these muscles are not as effective, and distortion becomes intolerable, assaulting the ears at lower volume levels as people age. On the other hand, when the sound quality is high and free of distortion, people of all ages enjoy the louder amplified music, considering that an unamplified congregation can sing over 100dB in a good room without complaints.

The quality of the acoustics, combined with a professionally designed sound system, does impact a church in many ways other than just attendance, tithes and offerings. That impact of sound quality can affect church attendance as little as 8% and some churches up to 18%, and that is just by attending to the physical needs of people. Unfortunately, we have no way of measuring how sound affects people emotionally and spiritually and whether that influences attendance. On the other hand, many movie theatres have upgraded their seating, installed higher-quality speaker systems, add substantial amounts of sound-deadening materials, and other details to enhance the movie viewing experience. Judging from the higher ticket prices people are willing to pay, there is little doubt of an emotional experience tied directly to sound quality.

The secular community has tested how sound affects people numerous times. By simply changing the quality of the sound, it affected how people judge the quality of the picture they saw on the screen. In one well-known test, two identical theaters were made to look the same in every detail. The projectors were the same as well as the popcorn and other items people do when watching a movie. While both theaters had carpeted floors and padded seating, one theatre had very visible acoustical panels and hardware on the walls and ceiling, the other theatre had fake panels that had no acoustical properties but looked identical. After having two groups of people listened to the same three movies over three days in both theatres, the majority of the listeners judged the theatre with the proper acoustical treatment to have a better picture and they remember much more details of the movies. Additionally, some thought the seating was more comfortable, the popcorn and drinks tasted better. Some also asked to see some of the movies again in the theatre where they found the seating more comfortable. As a caveat, the sound in the theatre without the acoustical treatment could not perform as loud, even though both sound systems were properly equalized, so the sound levels were set to a lower volume. The acoustically treated room with bass traps was able to perform to lower frequencies without any distortion which augmented the sound quality. This is a clear example of how sound quality affects people emotionally in a big way.

Finally, can the number of people responding to altar calls, faith healings, being slain in the spirit, speaking in tongues, and experiencing holy laughter be attributed to sound quality? For churches seating less than 400 people, that depends. Churches this size or smaller should have good enough acoustics without a sound system if the worship space meets the Bible’s acoustical standard. When the room cannot support quality sound acoustically, the church will resort to using sound systems to make up for the room’s failure to perform. At best, a typical professionally designed and installed sound system can raise the performance by a mere 10 to 15% of the room’s potential performance. When the room is acoustically upgraded, the room performance often improves 50 to 60%. In a bad room, at best, 1 or 2% of the people will respond to a worship service event. In a good room, you can add another 2 to 3% response to such church activities. Sound quality, along with uniformed sound coverage, will impact more people. Whether this translates into adding more people to the church, that is up to the church leadership and how supportive they are in helping people in understanding what just happened.

For larger churches, the sound system is very much part of the worship service all the time, and without the sound system, large churches cannot have worship, let alone get the responses that they may have. The larger the room, the more critical the acoustical management of the space becomes. In larger churches, sound quality has a larger impact on people responding to church events. The responses double between good and bad rooms.

When people like Billy Graham evangelized in outdoor stadiums, the sound was often fairly good everywhere because there were no surrounding room surfaces creating interfering reflections. Nothing was getting in the way of the spoken words. Even the echoes heard were not a problem because those effects were often 15 to 20dB lower in volume than the direct sounds from the sound system speakers. Seeing thousands of people responding at outdoor events is rarely duplicated percentagewise indoors, where the acoustics do not meet Bible standards. That also explains the higher response levels to outdoor events when no tent is used versus using a tent. When Jesus spoke to the multitudes, it was always outdoors. Except for when Jesus confronted the Pharisees, Sadducees, priests, and scribes in the Temple and Synagogues, almost all of the teachings to the crowds were done outside. Teaching the disciples and close followers was whenever Jesus knew they were ready to listen and save that knowledge for later when the Holy Spirit gave them understanding.

Church sound does have a huge, long-term impact on churches affecting their growth, health, unity, and support by members and the local community. What a church does after they have upgraded their sanctuary, is up to the leadership whether to promote the improvements or fall back and take sound for granted. From our experience, there has been no downside to making existing, and new worship spaces meet the Bible’s standard. True, no acoustics or sound system can save a person’s soul, but the quality of church sound can make a difference in reaching that soul.

In the end, upgrading the acoustics that will automatically get the best performance possible from the sound equipment of a church to help people with hearing issues alone. This should be enough reason for making such improvements. Upgrading to solve the congregational singing issue is another good reason. That solution is in the Bible too. The number one reason to upgrade is to have a church where no matter who walks through the doors in your worship space, when the person hears the Gospel message, there will be no doubts in what they have heard and no excuses in saying I didn’t understand the message. That said, no sound system or acoustics can remove the veil over someone’s eyes. That is the work of the Holy Spirit and whether the person’s heart has been opened to understanding and receiving the truth.
When Jesus taught, people either fled away or were changed by His teaching. Those who were being changed stayed and kept following Him to learn more. Those who fled, Jesus knew that they would never change because they loved or believed in something they thought was better, believed in other false gods or a lie. When that Gospel message competes with unmanaged reflections of sound in a worship space, those bad reflections will interfere with the person’s ability to understand the Gospel message. That is something that no one can measure. The idea here is to remove any possibility of bad acoustics and sound from keeping someone from understanding the message as no one knows the battle that is going through a person’s heart and mind when they are hearing a sermon at church.

Many times, ministers had shared with me how their ministry changed before and after the acoustics were upgraded. Some ministers have said, knowing a certain person who was at a point in their lives that they needed a push to understand salvation, the minister would prepare a sermon to reach that person. Before the upgrade, such efforts often lead to some people going to other churches, where they became born again. Perhaps the sound was better over there, or the minister was better at preaching. Who knows? After the acoustics were upgraded, most of those efforts in tailoring the sermons not only reached the person the minister was praying and preaching for, but sometimes other people responded to the same message. Sound quality can impact the confidence in efforts of the minister and everything else that happens at the front of any church. Who would have ever thought that sound quality in a church could affect the confidence of a minister’s ability to teach?

Sound quality does impact every part of church worship more than what people realize. It affects people physically, emotionally and it impacts how they respond to the Gospel. It is time for churches to get their houses in order and follow what the Bible teaches in something that we should not take for granted. If your church is dedicated as houses of worship to God, shouldn’t it SOUND like it is dedicated to God?

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Bible Flow Chart from Solomon’s Temple to Modern Church Design

Posted by jdbsound on June 4, 2021

Here is an updated flow chart from Old Testament to New Testament, to help lift churches out of limiting themselves to entertainment styles of worship.

I think many people would agree that there is no experience better than singing in a church, with a congregation, and where everyone wants to sing.  Can you imagine singing in a church where 70% or more of the congregation sings all the time!  What a concept to be singing in a room where you know that your voice is contributing along with everyone else’s. Singing in unison or in harmony sounds just as heavenly and exciting—singing in a church where it sounds just as good with or without musical instruments contributing or leading the worship.  Many people dream of such a church sanctuary that performs like this.  Do such worship spaces exist?  Can a church be transformed into having such qualities?  

When only 20 to 30% of a congregation is singing, and the rest are passively swaying to the music, some with hands in the air and others almost dancing on the spot, is that the kind of worship the Bible describes?  Why don’t more people sing?  Is it because of the music, the hymns, the sound system, or could it be because the room is not able to support the kind of congregational singing described in the Bible?  If the room can’t support good congregational singing, that becomes an acoustics issue, and when most churches try to fix their worship spaces, they often kill the room to make the sound system perform better which makes the congregational singing worse – never better.

Evidence shows that it is easier for a church to resort to an entertainment style of worship because the secular community has not demonstrated any method of fixing the congregational singing issue in existing churches, and new churches opening these days are void of such performance qualities.  That then begs the question, is the entertainment style of worship honoring God?

In the Bible, there are no examples of musical instruments leading the singing, rather, the instruments followed the singing of the people.  When there is a worship team performing in most churches, the worship leader prompts the congregation to sing, and the performers who play instruments, follow the lead singers, not the congregation.  Often it is because they can’t hear the congregation singing at all, and they use floor or IEM monitors to follow the lead singers.  The reason the musicians and singings can’t hear the congregation is because of a room problem.  This creates a room full of people passively worshiping rather than actively worship.  That is not much different from going to a music concert.  Is worship in music as long or longer than the sermon? 

What does the Bible say about any of this?  God designed a house of worship in the Old Testament.  Why?  Why didn’t God leave it up to David or Solomon to design something that they wanted?  Why was God so heavy-handed and specific to its design.  Was this house of worship to be a relic of the past, something for the future – and something for the present? 

If the temple was to be a relic, then why are there so many specific details?  Why were those details preserved for over 3500 years?  What if in those details are solutions to many of the problems many churches have today – not just with sound problems, but other issues churches struggle with today? 

Study the flow chart. See what happens when 3500 years of history collide with science.  If there are any errors, let me know.  This work is a result of 27 years of fixing and documenting over 300 churches with another 100 plus churches that copied from the 50 church examples posted who informed me of their successes and from studying over1400 churches since 1983.  Visit my blog if you want to know more about the results in following God’s way to design churches and manage sound.

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What happens when Church Architecture, Technology, Science, and meets up with the Bible.

Posted by jdbsound on April 24, 2020

The Bible has a lot to say about how a modern church should be designed.  Solomon’s Temple was not just a house for God to dwell in, it was also meant to be a tool to help preach and spread the Gospel in the present.

After reading this article, please pass it on and make comments below.

***  Article: Gods Authority in Church Design ***

This article is the most comprehensive study of King Solomon’s Temple I have ever written.  If you believe John 1:3, then you know who really designed Solomon’s Temple.  King David only penned the details of the new temple.  King David told his son Solomon that it was the hand of God that guided his hand.  What was so important for God to design the temple rather than letting a man design in with whatever came into his thought?

This article gives a stronger case for what the “Inspired Word of God” means.

Winning people to Christ is not a game or something given to chance.  We need all the tools possible to have an impact on this world.  Jesus is Lord, and if your church is dedicated to God, Jesus is Lord over your church building too.

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Is your minister preaching a distorted message unintentionally?

Posted by jdbsound on February 17, 2020

When sharing the Gospel, so many times, someone has said that they didn’t like what the minister said during a worship service, so they left the church.  They thought the minister was preaching a false message.  Some people have told me that they walked out of a worship service upon hearing the distorted message.  I would ask them if other people left the service at the same time.  In every case, they said no.  That is when I try to retrieve the audio record of that specific service.   As it turned out, on the recording, the minister said the right things, but why was it heard in the sanctuary as something else? 

The next step was to play the recording over the sound system and sit in the same spot the person complained about what he heard.  Sure enough, the same gibberish that got the person upset was heard in that spot.  When you moved several feet over in any direction, the sound was clearer, yet in other places, different words were being twisted.  With the recording on a loop, we found dozens of other places where the minister’s words were warped into something else.  Doing this exercise did get one person to try church again, but in most cases, when something like this happens, most people will not return to a church where the Gospel is preached.

Sound quality matters.  What good is excellent speech intelligibility in one spot and a failure in another?  Sound quality can save people and their souls.  I have never met a person who was saved by a song, but I had met many people who were saved when they heard the clear and undistorted message of Jesus Christ and become followers of the Messiah because the message was clearly understood. 

I often wonder how many other people have experienced hearing something different than what the minister said in a sanctuary. For many ministers and church leaders, it would never occur to them that the sound system was the cause of some people not returning to church.  The unfortunate truth is, many churches have questionable acoustics, and when a person sits in a spot where words, syllables, or the sound volume is too low, what was said and what is heard were not the same.

Sound systems cannot fix the acoustical problems of a church.  Adding more speakers or applying the latest state of the art technology tricks are no match to Architectural failures in room design and unmanaged sound sequencing around a room.  Absorptive panels are often the first weapon used to tame a room.  Cutting down on the noise and reflections with absorption cannot fix deadspots or hotspots.  Absorptive panels cannot change the path of sound reflections that causes uneven sound distribution. Absorptive panels have been known to make the sound harder to understand in those poor locations throughout the room, not better.  What is needed is a different weapon to defeat poor sound.

To eliminate hotspots and deadspots, you need to be able to distribute sound more evenly.  Scattering the sound is the most effective way to create a unified sound field throughout the whole sanctuary.  When sound is managed in this way, not only does it eliminate deadspots and hotspots of any speech problems, but it makes congregational singing, praise and worship bands clearer, the stage sound is corrected, and for many churches, they bring back choral music because it sounds better than what a worship team could do before the room was fixed.  In most cases, scattering the sound costs less to do than absorbing sound. 

Acoustical solutions for churches that work should be common knowledge as these concepts have been around for years. Fixing a church can often be restricted by how a solution may look. It is high time that the aesthetic police take a back seat from preventing the Gospel message to be preached clearly.  If aesthetics are a big deal, alternatives are always possible.  In the end, it is all about priorities. You have to choose between hearing the Gospel or have a Church that looks good.  What will your church do?

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Is Solomon’s Temple a Myth?

Posted by jdbsound on February 6, 2020

A myth can’t fix a church. The Word of God Can!
Both Physically – including the acoustics of a church, and Spiritually.
Share this if you believe that it is true.

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Is Church Acoustics Easy?

Posted by jdbsound on December 23, 2019

There are two answers to this question. When you follow just the science, the correct answer is no. When you follow what the Bible teaches, the answer is yes.  Church acoustics is simple, but many will tell you otherwise. While it is easy to change how a room sounds, it is another thing to change the sanctuary to perform appropriately for a complete Christian Worship experience regardless of the denomination or congregation you belong. Christian Church worship is unique and the acoustical requirement of any church cannot be found, practiced or learned outside of any church community adequately.

Concert halls, recital halls, recording studios or any room where non-Christian people revere as great places for music or live stage performances and entertainment, these places have clouded, (Mat 7:15) the judgment of churches communities all over the world for years of what Christian worshipers need in a large room. When we turn to the Bible for the kind of worship space we are supposed to have, the answers most Christians are looking for are right there.

Science has not caught up with what is required for church acoustics. It is not able to predict the perfect acoustics a church needs. In each generation of computer modeling, it is getting much better. The good news is that we don’t have to wait for science to catch up to modeling proper worship space acoustics. The Bible has always had the solution as a tool to solve or plan church acoustics, even in the 2100 century. When such planning is applied the outcome is still what a congregation wants and needs. Here is a prime example of Biblical Scientific Foreknowledge at work. When we look past the Golden walls and floors and peel back the details of how Solomon’s Temple was designed and finished, we discover a worship space that every Christian congregation should have today.

The Bible has always had the proper teaching or formula for large room “Worship” acoustics. Did you know that without God’s design for acoustics, the Levites would not have been able to do any ceremonies or teaching in the temple? In Solomon’s Temple, there was an acoustical system given to Solomon that was applied. When employed in modern churches today, it solves almost all of the acoustical problems we can often hear and it makes the worship space better for congregational singing every time. Hundreds of churches have already been fixed or planned in this way. How many more before we can trust the Bible for modern church sound needs?

For church worship, whether in a classical or modern church structure, a commercial space, or converted space, there are many performance requirements to obtain the full worship experience which includes hearing the Gospel unfiltered by the poor acoustical performance of a sanctuary. (Poor acoustics acts like a changing filter that pollutes the Gospel. It can make similar words sound different which changes the meaning of what was said. For people familiar with the Bible, this may not be that big of an issue but for a person who has never been to church or is unfamiliar with church speak/language, when the room changes the pronunciation of a word, it can change the meaning of what they thought they heard. A church with the proper acoustics will prevent most of these mistakes regardless of what a sound system can do.) There is preaching, prayer, congregational singing, testimonies, choirs, worship teams and worship concerts. All of these parts of worship have to perform equally.

Church acoustics is not straightforward without the Bible. It is very complicated and any person designing an acoustical change should be including all aspects of worship, not just making a quick fix because of an irritation. As more churches recognize this truth, many are fixing existing past acoustical treatments that were done with good intentions and without help from the Bible. For example: Many people working in live sound don’t know that most hotspots and deadspots are acoustical problems and made worse when the wrong sound system design is installed. If your church has the right sound system design and there are still places where the sound levels and speech intelligibility is a problem, the sound system is telling you or screaming that it is a room problem -even if there is not feedback noise.

Church acoustics can be confusing, even with Biblical help. Experience has shown that there can be three churches that can have the same shape, dimensions, and age, and all three worship spaces different acoustical fixes. On the other hand, you can have three churches of different shapes, different dimensions, the same seating capacity and from three different ages and yet the acoustical solutions look almost the same to get the best performance for speech, prayer, congregational singing, choral singing and worship team performances. These differences in acoustical treatments are not easy to figure out regardless of the sound system design, equipment, and operating skills.

If the reverberation time is too long, don’t just fix the reverberation time. There are always at least two to five other problems that are being masked by the long reverberation or long time of noise. Correcting only the long reverb time, in most cases, exposes or creates bass problems that weren’t audible before, but the acoustical measurements said that such a predicament would happen. When the subs don’t sound good, you put a cage around the drums and you can’t mic the choir. When the floor monitors are too loud or as loud as the FOH speaker system and you are forced to get in-ear monitors. Then you have to get the worship team members to sign a waiver to not sue the church for premature hearing loss. Fix the room properly to meet all aspects of worship and you can avoid all of these issues.

Church acoustics is complicated and people who do Recording Studio, Concert Hall, Recital Hall, and noise control acoustics all have good intentions in wanting to help out a church. If their solutions are not based on what the Bible teaching, sure, they can change how a room sounds, but will their fixes be what a congregation needs? The choice is yours.
What is rarely taught or shared except on this website, is that a sound system is a magnifier of how a room performs. If the acoustics and shape of a worship space work, the sound system will tell you by how well it performs. If the acoustics are wrong, the sound system will be limited in what it can do. If after changing the sound system twice in the last eight to ten years, didn’t make that much of an improvement, do you really think a third sound system will be any better?

What is also not taught is that it is cheaper to bring a sanctuary up to worship space requirements that support all aspects of worship than to upgrade a typical church speaker system that can only make an incremental improvement for amplified sound. Fixing a room that meets worship space requirements often makes the current sound system perform profoundly better (unless the sound system is so poorly fabricated that it needs to be redesigned and reinstalled if the hardware is up to the task.)

Church acoustics can be easy when you follow the scriptures. Jesus never spoke of this because he already has given us the plans. Jesus said in Mat 5:17 “Do not think that I have come to abolish the Law or the Prophets; I have not come to abolish them but to fulfill them.” The Bible also says that all things were made through Him from the beginning. Jesus could not abolish the laws He created with His Father and the Holy Spirit (John 1:1-4.) There are many churches out there with poor sound, poor acoustics and have members who want to experience the full Christian life including the complete worship experience we all should be having. When you look past the gold and wealth surrounding Solomon’s temple, you will discover a blueprint from Jesus of how all worship spaces should sound. If that means duplicating Solomon’s Temple, that is what we should be doing. How is that so different in the fact the every church practices communion in one form or another. Every church has prayer, singing, reading of the scriptures, sermons and fellowship of its followers. Every part of a person’s life is in the Bible, whether any person can follow it 100% of the time or not. The same should apply to the houses we call churches that are dedicated to our Lord Jesus Christ.

Joseph De Buglio
A Servant of Jesus Christ.

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Seeking the Truth

Posted by jdbsound on July 18, 2019

As an expert in Church Acoustics and in the pursuit of the truth, I have also been passionate about finding ways for all churches to afford an acoustical solution that will solve just about every sound problem most churches run into. What can be more exciting than knowing that the cheapest and best acoustical solution in the world for all churches comes from the book that all Christians follow and obey – the Bible. When a church uses the Bible’s method for acoustical management, sound problems almost all go away and in most cases, a sustained higher church attendance happens after around 18 months. God is the author of Church Acoustics and it is time for churches to seek God first for answers and God will reveal His way to solve sound problems in His Houses of Worship. Whenever a church is dedicated to God, doesn’t it become His House?

Joh_14:6 Jesus saith unto him, I am the way, the truth, and the life: no man cometh unto the Father, but by me. If we take that a step further, Jesus was present in the design of Solomon’s Temple. While Millions have already been saved in the past, present and hopefully the future, how many more can be added if all Houses of Worship were built or brought up to the same acoustical standards as in Solomon’s Temple? Since most churches don’t have that quality of room acoustics, I guess we may never know!

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How to use Tube Radiators to Fix any Church

Posted by jdbsound on April 1, 2019

Do you need help with the acoustics of your church? Want a system that your church can afford? Are you willing to save your church thousands of dollars by donating some of your time to cut, paint and installed the perfect acoustical solution for your church? Acoustics – complicated to figure out, simple to implement. First of all, this is a system, not a spot treatment.  Therefore, all of the walls of a worship space require treatment. This is not an option. Most readymade products are not able to solve multiple room problems in one step.  As a result, most churches wind up getting only a spot repair treatment of which they learn later was nothing more than trading one problem for another.

To begin, you need a detailed analysis of the worship space.  Some of the critical measurements are impulse responses,  series of ETC’s and the Frequency response of the room.  These tests combined with others help to map out the room.  With these details, you will be shown how to identify the standing waves, the signal to noise ratio’s, early and late reflections, echoes, slap echoes, and flutter echoes, and what frequencies are coming out of corners.  What surfaces are diaphragmatic and where the room focal points are. Finally, you have to account for the room measurements to see if any of the dimensions are causing patterns in specific frequencies and any hotspots or deadspots.   

With this information at hand, you can then create a profile to identify what kind of treatment the room needs.  For standing waves, any diffuser can get rid of that as long there are at least 4 inches of deflection and no surface of diffusion greater than 6 square feet. If you go larger than 6 square foot diffusers, then you have to make the deflection more than 5 inches deep.  You learned that from trial and error testing.  There is no equation that I am aware of that will tell you that.

Once you have determined all of your standing waves and yes, all rooms that have no acoustical management, regardless of shape have standing waves at some frequency or range of sounds. You then look at the energy coming from any diaphragmatic surfaces (drywall, wood, windows, etc.) and corners. If the excess frequencies are above 500 hertz, in most rooms, you can just use 8 inch half rounds. If there is excess energy between 300 to 500 hertz, then you need to use 12 inch half rounds.    When there is excess energy below 300 Hertz, then you will need 16 inch half rounds.  

With this knowledge, you then need to see how much reduction is needed.  If you only need 10 to 15dB of reduction, you can just put in the half round tubes in 11-inch edge to edge spacing between tubes regardless of size.  If you need more than 15dB of reduction, then you need to use patterns.  These patterns can be a combination of sizes and variable spacing distances between the tubes. These variables cannot always be used depending on how much wall space you have.  If you have the wall space and you need more than 30dB of reduction, then you need to use a Prime Number sequence and enough wall space for a minimum of two cycles. 

These patterns were researched by myself by doing a series of trial and error testing in churches where the church allowed me to use their worship space to do experiments.  With enough tubes of various sizes, these tests were done over several days at a time, to learn what patterns are needed for the most common acoustical problems most churches have.  Essentially, I created a Data Base of frequency models to affect the best change for worship spaces of all sizes.  For new acoustical problems, JdB Sound Acoustics owns a private test room where research can be done to discover the best pattern to effect the best solution for such a worship space.

In summary, there is no shortcut to doing church acoustics correctly.  That said, many churches can’t afford to hire an expert, but they also need help.  For those churches, several basic rules always assure a huge room improvement. The length of the tubes has to be a minimum of 2/3rds the wall height.  Sidewalls need the diffusers to be 4 feet off the floor or head height of people sitting in the pews.  Tube spacing is always 11 inches between edges. End caps are needed at the bottom to comply for fire code if you are using hollow tubes.  Follow these rules, and you will always get better results than any flat absorbent panel can offer. Another rule is, always have padded seating and carpeted floor.  In most cases, that gives the room the behavior that it is 50% full when it empty.  If you don’t have carpet on the floor, then you need to add absorption panels that equal the square feet of the floor space to the walls along with the diffusers.  If your wall space is limited, you can add the diffuser on top of the absorbing panels.

Every room has the same or similar problems when it comes to church acoustics.  The solutions and tools are always the same but how they are implemented needs to be customized to accommodate the architectural features of each worship space.  I have come across a few churches that followed these rules without my help, and they were delighted with the results. Yes, there was room for additional improvement in those DIY projects, but the results they got were way better and cheaper than any other solution out there.  Imagine going to Home Depot or some other place, buy around $1,500.00 worth of cardboard tubes, paint, tools, and hardware to mount the diffusers and fix the acoustics of a 500 seat church for under $2,000.00.  A project like this can be completed in 4 working days with four volunteers.  If you make absorbing panels of sufficient quantity, you will spend twice as much if you care for the aesthetics and have a fraction of the room performance improvement compared to what half-round tube diffusers or Tube Radiators can provide. 

In the end, a 15dB reduction in the mid-range, getting rid of standing waves, and because the tubes break up energy traveling down a wall, there is no bass build up in corners, so you don’t need bass traps, the room improvement will be very dramatic.  My skill comes into play for churches with strong music programs for contemporary worship services or large choirs.  Churches that want their pipe organ to have a better balance during congregational singing or for Choral performance.  Churches that want  congregational singing to be loud enough to drown out the sound system.  Then there are churches that have a lot of windows, artwork or limited wall space, for them, there are many other ways to achieve similar results using other diffusive materials and techniques that require a more substantial investment.  In many ways, most church problems are the same, but they all have unique variables that need different ways to implement the same solution. 

Solomon’s Temple – The Bible is Sufficient

Finally, why do I use this system?  It is because of God.  God showed King David and Solomon how to make the acoustics of the temple ideal for the Holy of Holies and the Holy Place/main sanctuary.  I discovered that this does indeed work.  Since re-discovering this method of sound management, I have viewed this as a promise from God.  How many times does it say in the Bible follow these command, instructions or ways, and you will be blessed or things will be better? Since learning this method of managing sound, God has kept his promise every time.  Also, consider this. 

Science has yet to create a simulation model that can accurately predict the results.  God told Solomon what to do, and this method does work.  All of the 400 plus churches that are already using this method of sound treatment, they did it as an act of faith whether they realized it or not.  I have always been honest in sharing this with everyone.  God has kept his promise to all of those churches. For those who want proof, isn’t 400 plus churches of all shapes as sizes enough?  You don’t have to believe me, but you should believe God. Since this is proof of what God teaches in the Bible is true, what does that say about the rest of the Bible?

If you don’t trust the science, if you don’t believe me or this website, you can trust God in this.  God shows how to do church acoustics, and the answer has always been out in the open, in the Bible for everyone to read it.  The shape of the sanctuary and the acoustical treatment are all there for us to follow.  Furthermore, Jesus was also present when God told Solomon what to do.  In a way, Jesus told Solomon what to do also, as you can’t separate God and Jesus.  When God speaks, Jesus speaks. 

This method of doing church acoustics is not a secret or a mystery.  It is there for everyone to know how to have the best worship spaces that Christians need and is a joy to have.  So if someone says, “that is in the Old Testament, and it is not relevant today.” I say, Jesus said he came to fulfill the laws, the prophesies and promises that He made in the Old Testament before He became flesh.  We are supposed to follow His ways because we love Him.  Because we love God and Jesus, we follow the teachings of the Bible. For far too long, we have been using secular designs of worship spaces and acoustics at the expense of not knowing the full blessings of worship God wants you to have in your church today.  Worship space designs and acoustics should never be treated as an option or another failed experiment when it doesn’t have to be that way.  If you know the scriptures, you know that this is true.

Sure, for years people have been blessed in houses of worship in all kinds of shapes, sizes, and acoustical problems because of their faith.  Fixing the acoustics of existing churches in this method has huge benefits right away and for the future.  However, only a few of them are experiencing all of the blessings God promises us when we follow His ways, including worship space designs and acoustics.  You could also say that a House of Worship is also another tool used to do a better job at fulfilling the great commission when designed according to His way. God will never stop loving us or blessing us when we make mistakes, but he did say we reap what we sow.


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Tube Radiators not just for Sanctuaries

Posted by jdbsound on September 9, 2016

Tube Radiators work great in any room where discerning listening is required.  Whether listening for pleasure or when recording music and laying down tracks, Tube Radiators creates an ideal space for all of those activities.  india-recording-studio

Here is one such studio.  This room is both a post editing suite and recording room.  The pattern of the diffusers uses 8 and 12 inch half rounds.   Instead of using cardboard tubes, these are made of plywood.  With the room dimensions, this pattern turned out best for creating a high end, high quality performance space that allows for quicker production times.  Way to go Caleb Daniel!  You did an excellent job.

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Romanian Church gets Excellent Acoustics and Reviewed by Professional Sound Magazine Article

Posted by jdbsound on August 6, 2016

Churches don’t often get Reviews for their Acoustics and Sound System.  Kevin Young did such a review of one of my projects.  The installation company was CS Acoustics from New Hamburg, Ontario.  Here is the full Professional Sound Magazine Article about the Romanian Pentecostal Church in Kitchener, Ontario Canada.  Please leave any comments or questions below.

Should you have a chance, when your in the area, visit this church.  The people there will give you a tour. Better yet, go to a worship service.  it is different, but worth the experience.  Kevin Young is a Toronto based musician and freelance writer.

Joseph De Buglio

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New Church Sound System Equalization Schedule

Posted by jdbsound on February 17, 2016

Notice to all Clients of JdB Sound Acoustics.

If you are in a new church building or you have done major renovations in your church, you will have to re-equalize the sound system many times in the first few years.  Here is the schedule you should follow.

  1. First-year – After the 1st month, 3rd month, 6th month, 9th month and 12th month
  2. The second-year – After the 4th month, 8th month and 12th month.
  3. Third-year – same as year 2
  4. The fourth-year – after the 6th and 12 months.
  5. Fifth-year – same as year 4
  6. Sixth to the seventh year, every 1 each.
  7. After that, do touchup to do loudspeaker decay drifts. (as speakers get older, the surrounds and cone can become stiffer and less compliant and that changes the frequency response of the speaker.  Equalization often compensates for mechanical aging.)

It takes up to ten years for most buildings to fully cure or longer depending on how much concrete and wood is used in the walls and floors.  For that reason, the humidity of the church becomes lower and lower as the church ages which also changes the sound of the worship space.

Also, depending on the climate area you are in, you should be re-equalizing your church sound system for each season.  more so the further you are from the equator.  If you have a digital processor or mixer, you can have presets for the room changes.

If your church is somewhat airtight and the HVAC system is properly designed to maintain temperature, even during worship services, the tuning cycle after 6 years can be relaxed for Displacement HVAC systems.

Joseph De Buglio

 

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How to Know if your Church has Good Acoustics – Part 1

Posted by jdbsound on February 3, 2016

Here is the first test you can do to know if you have good acoustics.  Have two people over 40 years of age standing 40 feet apart in the sanctuary.  Have one person on stage and the other anywhere in the audience.  With the room empty, the sound system off, with the lights on and whatever mechanical system that are on during worship, have the two people start a conversation.  The person in the audience area has to be understood by the person on stage equally as well as the person on stage to be understood by the person in the seating area.  This is important as all churches are used to hear and communicate from both ends of the worship space.

If the two people can converse for 5 minutes understanding each other, chances are your church is in good shape.  If hearing and understanding at 40 feet is not good, then move in closer until you do.  When speech becomes clear, that is the free field distance of the room.

If you can converse at 40 feet well, try moving further apart.  Keep moving apart until it become hard to understand or your up against the walls of the church.  If your able to increase the distance for understanding speech, then as you get further apart, the better the room most likely is.  This is step one.

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Church Acoustics Advertising :-)

Posted by jdbsound on March 19, 2015

Do you have an echo problem?  We have a fix for that!

Do you have a reverberation problem?  We have a fix for that too!

Are you struggling with your sound system?  We have a fix for that as well!

Having problems with your rectangle shaped church?  We have a solution for that!

Having problems with you round church?  We have a fix for that!

Having problems with you octagon church?  We know how to fix those too!

Having problems with your fan-shaped, oval-shaped or square church?  We have custom solutions just for you!

Are you not happy with your commercial warehouse, storefront or converted mall space church?  We know how to fix that!

Have you already fixed your acoustics 9 times before and your still not happy?

We can fix any church that is absent of any acoustical planning and treatment.

We can also diagnose and fix any church that has the wrong acoustical treatment to get it back on track.

We have never been to a church that we couldn’t fix but we have had churches that were not ready to make the needed changes to get what they desperately wanted.  Oh, did you know that acoustics has always been the deciding factor in the aesthetics in a house of worship whether the acoustics are good or bad.  God taught us that beginning with Solomon’s Temple. (1 kings 6:29 (NIV)On the walls all around the temple, in both the inner and outer rooms, he carved cherubim, palm trees and open flowers.  (Please read my article about Solomon’s Temple https://www.jdbsound.com/art/art570.html))

Churches are not temples but they are dedicated as worship centers and houses of learning.  For worship and learning, you need tools. One of those tools is acoustics. You need a system of managing the air between the teacher and listener for the best worship and learning experience.  While a sound system is also a tool it cannot manage the air. It relies on acoustics for it to work. The better the acoustics, the more effective a sound system is.  Without the right acoustics, what are you really hearing or understanding?

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Windermere United Church, Toronto, Ontario, Canada

Posted by jdbsound on March 18, 2013

windermere 3_edited-1

Completed their Sound System and Acoustical upgrade in Summer of 2012.

In the last year, all of the complaint about sound have been exchange for a growing church.

Click on the photo to see the full size image.
To see other images of this church please use this link – http://www.flickr.com/photos/jdbsound/sets/72157632984258138/

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Quote of the Day

Posted by jdbsound on January 10, 2013

If experiencing poor sound in church could be measured as pain and people are not complaining about it, it could be because they don’t consider taking 10 extra strength pain killers per worship service as overdosing.

by Joseph De Buglio Jan 2013

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All Sound Systems are like magnifying glasses of the room acoustics

Posted by jdbsound on December 10, 2012

Is your sound system making the right impression?  Are the acoustics of your church allowing your sound system to make that great first, second and third impression at your church?

Once again the subject of getting more performance out of the next sound system upgrade keeps coming up. When a church is constantly seeking to get more performance out of a sound system at every upgrade and not be  enjoying the best sound possible then it’s time to fix the room instead of putting it off and investing into more equipment. This is the message your sound system is broadcasting.  Are you listening or are you waiting for the next technology breakthrough for that sliver of improvement?

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Social Media

Posted by jdbsound on November 5, 2012

Is Social Media and Sermons on YouTube or Web Streaming replacing the need for good sounding worship spaces?

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Acoustician vs Architects

Posted by jdbsound on June 11, 2012

Who gets the final say in Church Aesthetics?  The Architect or the Acoustician?

My opinion suggests that if the Architect is able to provide a space with the right acoustical performance, then they get the final say.  If they fail to design a complete worship space that meets the churches needs acoustical for the life time of the church building, people like me get the final say in how a church looks. (I don’t think many Architects like this and this is why they don’t like hiring me.)  Instead some churches are hiring me instead of Architects for their worship space and HVAC designs.  My services cost less and hiring the Architect for just the engineering and exterior finish of the church (which the community sees every day) costs way less too.

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Direct Boxes…..

Posted by jdbsound on May 26, 2012

Direct Boxes

Original Article Copyright (c) 1988 Joseph De Buglio, JdB Sound, Acoustics
Updated 1997, 2012

From JdB Church Sound & Acoustics

This information has be written for the layman and should not be used as technical information. Many terms and descriptions are simplified for educational reading.

Thank you.

What are they and why do we need them?

It’s 10:00am Sunday morning. The invited Gospel group just showed up an hour late. You have 45 minutes to set up, do a sound check and rehearse the group long enough to know what kind of sound they are best known for.

One by one the performers enter with their instruments. This group is planning to use the church sound system. Rumor told them that this church had a very good system. You see one electronic organ, two electronic keyboards, one string bass with a pickup and one electric guitar with an amplifier head. Finally, you see an electronic drum kit.

At the front of the church you have 16 mic inputs. You need 5 vocal mics and 9 inputs for the instruments. That leaves you with a pulpit mic and a tape player input.

Fortunately, you were prepared. Earlier in the week you rented 1 speaker director, 5 passive direct boxes and 2 active direct boxes. The church already owned 2 passive direct boxes.

By 10:30, the sound check was finished with the soundman sitting at his mixer in the pew and 10 minutes later the group finished their rehearsal and floor monitor check. At 11:00am, service started and the group performed very well. Most people were not aware that the group set up in only 45 minutes. Is this really possible? Ever since the 16mm film projector was used in the church and connected to the sound system, churches have needed a direct box (or DI box). DI boxes are used to change the output signal from one source and change the level and impedance to match a microphone level signal input into a mixer. The most common application of a direct box is when connecting an electronic keyboard or similar electronics to a sound system. The DI box allows you to connect into a snake or existing mic lines and send the signal up to 700 or 800 feet away. By converting line level signal to a balanced signal mic level, you also avoid RF problems and crosstalk in the mic cables back to the mixer.

There are 5 quick and convenient type of boxes

________________________________________

Passive Direct Box

The most common DI box is the Passive Direct Box. This unit is often used to connect Guitars, Keyboards and other electronics that have a line level out from the instrument. Often the line level voltage is between .5 volts to 3 volts (Some DI’s units can handle an input signal of +8dB (or 10 volts)). As a passive unit, the signal is as good as the transformer that is built within it. An important feature of many good quality DI boxes is ground lifting. Since there is no universal standard for audio equipment and instruments, grounding problems often occur (Perhaps the new ISO9000 standard may help…. but let’s see what happens in the next few years.) Many DI boxes are able to isolate grounding problems between various items of equipment. Generally, by going through a DI, you loss from 3 to 6dB of signal.

** Note: Not all DI boxes sound the same. As the signal levels get higher, the DI box may add some distortion. On an electric Guitar it may be a good thing. On a Keyboard it can sound awful. Before you blame the soundman for that poor keyboard or instrument mix in the monitors, try a different DI box or even an Active box.

Active Direct Box

The second most common DI box is the Active Direct Box. These units either work from a battery or phantom power from a mixer. An active DI box can handle higher signal levels and put out a higher signal level. Furthermore, the frequency response is often better too. When you are performing in a room that has low reverberation and good performance qualities, it is better to use the active DI box. Also if you plan to use a digital signal in reinforcement or recording, use the active DI box. Generally, a DI has 0dB signal loss.

Active Direct Box with Preamp.

A new type of Direct Box may have a built in preamp that works off the Phantom power of a mixer or it might have batteries or it might have an AC/DC adapter. I haven’t had a chance to test one, but the are supposed to boost a signal level up to 10dB. Some of these units can also work as a mic preamp as well but that is only when your mixer dies and you need 1 mic to get through the show. But that would only work if you have a box that is self powered or with an AC adapter.

Speaker Director Box

The less common DI box is called the Speaker Director Box. A speaker director is used when the only signal output available is from an amplifier. Many older 16mm film projectors use a 10 watt tube amplifier for driving a 10 watt speaker. A tube amplifier should always have a nominal load of 4 ohms or higher on the output or the amplifier will burn itself out. A good speaker director will present to the amplifier a proper load and convert the signal to mic levels to either a 150 or 600 ohms. You should never take a signal from an amplifier direct into a mixer. You will either fry the channel or the power supply in your mixer.

Remember, all good direct boxes have ground lift switches and there are a few units that have an automatic grounding system. Make sure that your direct box has this feature.

Line Matching Transformer

Another common method of connecting low level electronics to a sound system is by using a line matching transformer. The transformer is usually mounted in a barrel type connector with a ¼ inch-tip sleeve connector at one end and an XLR three pin connector on the other end. The whole unit is often about 4 inches long. There are only a few manufacturers of these products and they seem to work.

Radio Shack, EV and other mic companies has two types and churches tend to buy these because they are so visible and easy to get. One converts low level line outputs to mic levels. This unit with the ¼” female to male XLR can handle a lot of power but, there is a major penalty when you drive this transformer to hard. In bench measurements, when the sign was greater than 2 volts, it introduced distortion. At 3 volts there was 10% distortion. At 5 volts there was about 20% distortion. On a guitar this may be desirable or in a noisy night club show where you won’t hear the distortion, but in a church, the distortion can be very unpleasant. As long as the sign stays below 2 volts, this transformer will do a reasonable job.

The other unit converts Mic Levels to Line Levels. The performance of these units were bench tested with a MLSSA (a computerized audio and acoustical testing system) and the performance was surprisingly very good. The limiting factor is voltage. The unit with the Female XLR to Male ¼ inch connectors can not handle a load much higher that 1 volt of power. At 1 volt the transformer saturates and it sound horrible. Any signal below 1 volt will have a frequency response from 10 hertz to 20,000 hertz ±1.5dB. The transformer is down 6dB at 3 hertz. From 50 hertz to 15,000 hertz the unit is ± .25dB. In my books, this is an excellent performance for most smaller church needs. The best function for this transformer is in trapping RF signals for mixers that do not have good quality electronically balanced inputs (Some mixers have transformer inputs which traps RF.)

Update 1997.

Recently on the news groups, there was some mis-information being shared which I feel should be corrected. A person posted the question, “Can an active DI boost the signal from -20dB to +0dB. I want to boost the signal of my acoustic guitar pickup.”

The response to this question was remarkable. What was very surprising was when I saw who was answering the questions.

First of all, lets look at the question. – The request was to know if an active DI can boost an audio signal from -20dB to +0dB. First of all, we should know what -20dB means.

In HI-FI, -10 and -20dB is the standard used to connect from stereo equipment to equipment. Part of the reason for this standard is that a lower signal has few problems with noise from RF and HUMs and at that level, it is cheaper to provide RF protections at -10dB. However, this signal is too low to manipulate for editing without adding noise that is inherent of all audio equipment and signals – even digital signals.

In Pro Audio, we use +4 as a standard. Part of the reason (among other things) for this higher output is to boost the signal high enough for a greater signal to noise ratio. Let me explain. A line level to line level signal often already has a signal to noise ratio of 60dB or more. A microphone can have a signal that is from – 80dB to +10dB. That is 90dB of dynamic range. If the low level -80dB signal is clean – that is little or no noise, by boosting it to +4dB means that when you split the signal for monitors, effects and recording outputs, when you change the signal with the channel EQ and then send the signal out of the mixer, your original signal should be (almost) noise free. (If you have a cheep mic, that can often be a problem when micing a person’s voice at a distance.) In otherworldly, the hotter the signal, the better for Pro Audio- and all church sound system come under this label.

As a side bar. – Have you even connected a CD player directly to a Pro Amplifier and found that you could turn the CD up all the way without clipping the amplifier? It’s because the maximum output of most consumer CD player are .75 Volts – which is the maximum output of a HIFI product. For Pro Audio – many pro amplifier are 1.75 volts (+4dB) or 2.83 volts (+8dB). This voltage difference and signal difference is the main reason why you can not mix HIFI and Pro Audio equipment. (Note, some lower prices Pro audio amps have switches for .75 volts for consumer use.)

Back to the Question – Many active DI boxes have switches that can cut a signal down. Most Active DI boxes have 0dB, -10dB and -20dB. Some DI boxes also have -45dB. These are pads. Pads are loads created with resistors and other components to cut the signal down when the input voltage is too high. A passive DI box will loose between 3 to 6dB of signal. For many sound sources, this is OK. Also, passive DI use transformers. All transformers have a unique sound. If your church has an NC above 42dB, the sound of the DI will not be noticeable. If the church has an NC below 42dB, then everything counts.

Active DI boxes offer 0dB signal loss and since they don’t use transformers, they add far less coloration to the original sound. In order for a Direct Box to Boost a -20dB signal to +0dB, you need internal amplifiers like a mixer has. To the best of my knowledge, there are only a few Active DI boxes that have such abilities. Generally, they should be called Active DI with Preamps. Most of the common Active DI boxes do not have this ability.

These DI boxes with pre amps and gain controls built in require 24 volts or more to boost a signal. A full boost of signal can be achieved with a 48 volt phantom power supply as supplied in many pro quality mixers. Some of these DI’s can boost a signal to +20dB, but doing this without gain noise is remote. In a club with 55dB of background noise this probably isn’t a problem – in a church with 40dB of background noise and preamp noise will be a major issue.

The solution for the guitar player is to use a guitar foot pedal pre amp that can also add Bass, mid and treble tone controls – then go into a DI box. The signal will be boosted before going into the DI box – as it should.

For other low level signal, you can use a Guitar pre amp or- you can use a unit like the Symetrix 202. It is a two channel pre amp with phantom power. It can be used as a mixer by itself or to boost a low level signal. It can handle almost any kind of input and convert it to 600 ohm balanced load. You don’t need a DI box with this unit. it has a ground switch, a pad, a gain control and phase switch. Because it has two channels, you can mix two sounds, like a mic and guitar before sending it to the main mixer, or mix 2 acoustic guitars. The option is yours.

What prompted this writing is the fact that well known audio experts are either telling people that any active DI box can boost a signal, or they are accepting this info as fact. Yes, there are some active DI boxes that have a built in line amplifier to increase the signal which makes these unit more than a pure active DI and if you read the product label, it will tell you if there is a line amp included.

In summary, a DI box should always be used as your first choice when connecting an electronic instrument to a sound system where you are using mic cables over 50 feet to the mixer. Use the in line transformers sparingly, especially if your don’t know the output voltage. And yes, with practice, in 30 minutes you can connect up to 24 mic inputs with two people and finish a sound check. Check DI 1, DI 2, DI 3……

________________________________________

DI Box FAQ

Question from those who search the web.

Can you use a DI box with a mic? Jan 2012

The short answer is – NO.

The long answer is – DI boxes are not pre amps or mic signal amplifiers. They are passive devices. Even an Active DI box is passive. All it does is give you better control of the input sign to prevent clipping of a hot signal. Di Boxes convert one type of signal to another. That said, there are a few expensive boxes that are suppose to work both as a DI box and as a preamp for line level signal. They can not be used to manage mic level signal whether balanced or unbalanced. DI boxes are 1/4 inch inputs and XLR and 1/4 inch outputs. When they say preamp/DI box, what they are saying is that they can change the bass, treble, mids and add sound effects to the hot signal and then send it to the mixer at mic level or line level for a Guitar amp.

If you are looking to boost a mic signal, you need a pre-amp and they are many phantom powered, battery powered, USB powered and DC/AC wall wart powered pre-amps.

Can you connect from a Mixer to an Amp Directly?

The Short Answer is – Yes

The Long Answer is – Amp inputs are line level. HIFI/Consumer products connect at -10dB. Pro products are setup for +4dB. The key here is to have the proper type of cable connections. It is best to run from XLR to XLR or TRS to TRS or TS to TS. If you have to go from XLR or TRS to TS, and you are having any hum issues then a DI box will help you out and correct the grounding issues.

What is the best way to connect from a computer or Laptop or Ipod/Iphone/Ipad to a mixer for music playback?

The proper way to take a headset signal output to a single mixer input is to connect with two Line Match Transformers. You need a transformer for both the Left and Right channel. Why? One of the sacred rules in audio is that you can split or “Y” an output signal to two devices but never combine or “Y” an input signal to the input of a mixer. In many churches there are Cassette players, MP3 players, CD players and other playback devices that have only one channel working. When you “Y” an output to a single connection, you are creating an improper load and that often leads to a Left or Right channel being burned out over time. There are summing boxes that you can use but they can be expensive. Better yet, if you have two free input channels or you have stereo input channel use them. If you only have 1 channel, the line match transformers will protect the mix and the playback device.

A good article to read is from Rane https://www.rane.com/note109.html

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Kingston Road United Church

Posted by jdbsound on May 25, 2012

Kingston Road United Church.

Location: Kingston Road, Toronto, Ontario Canada

Consulting Date March 2008
Completion Date by Church members – October 2008
Sound System installed by Westbury Sound – December 2008

  1. Seating capacity 500+
  2. Ceiling over 40 ft high
  3. Over 120 Cardboard Tubes custom made order and placed around the room in 8″ 12″ and 16″ half rounds.
  4. Between 120 to 800 hertz removed 18 to 22dB of excess energy.
  5. This change allowed a single speaker system to cover a whole room 134 ft long.
  6. Throw distances from speakers to back wall, 98 ft.
  7. Contractor who installed the system was surprised at how well this sound system worked and how much the room changed.
  8. Contractor suggested delayed speakers before the acoustical treatment was done.

If you wish to see additional photos of this project, visit my Flickr Photo Library.   Use this link to see them.   https://www.flickr.com/photos/jdbsound/sets/72157607243842820/

 

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Excess Noise At the Pulpit or Altar or preaching area

Posted by jdbsound on May 22, 2012

When standing at the pulpit at your church and the sound system is off, do you speaker louder or quieter?
When you turn the sound system on, do you speak just as loud or quieter?
If you answer quieter to either of these two questions, you most likely have a major acoustical problem.  Why?

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Natural Acoustical Amplifiers

Posted by jdbsound on May 22, 2012

Walls are amplifiers of sound.
Outdoors – when you double the energy with amplifiers or speakers the sound levels increases 3dB.
Indoors – when you double the energy with amplifiers or speakers the sound level of certain frequencies can increase up to 9dB or cancel the sound 100%.

Example Below:

Armeanian Pentecotal Church Montreal

Before acoustical treatment, there would be 1dB loss at 10 ft and 2dB loss at 40 ft. without the sound system.

After acoustical treatment, there is 4dB loss at 10ft and 8dB loss at 40 ft. without the sound system.  Also, intelligibility changed from 79% at 40 ft to 92% after acoustical changes.  When you add the sound system the coverage with +/-3dB

This was in the middle of the acoustical transformation

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Microphones can be a health hazardous

Posted by jdbsound on May 21, 2012

If you have a chance, you should read my article about sharing tooth brushes.  I compare the sharing of microphones like sharing tooth brushes.  In the fall when it is Flue season, many performer pass on their cold to other performers by just simply sharing their microphones.  We don’t clean our microphones and the microphones are not made to be cleaned either.  Read the rest here.  Update includes suggestions for dealing Covid-19

Updated March 2020   microphones-are-hazardous-to-your-health

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