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Archive for the ‘Church Sound Systems’ Category

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The great church carpet debate!

Posted by jdbsound on April 23, 2021


Should churches have carpet in the sanctuary and should there be padded seating?

Here is our latest video on this important issue.

Here are the details of how those values came to be.

The standard for a worship space to have a signal to noise ratio of 20 to 25dB and a flat response from 80 to 8000 Hertz comes from studying worship styles and working on hundreds of Churches.  First, you have to look at all of the various elements of worship.  They include:

  • Main Elements (Based on Scriptures and by Jesus Example)
    1. Reading of Scripture
    2. Preaching and Sermons
    3. Questions and Answers
    4. Prayer
    5. Celebration of communion
    6. Congregational singing
    7. Offerings
  • Secondary Elements (items that churches have added to worship after the reformation period.)
    1. Choir or choral music
    2. Music to support congregational singing
    3. Music lead by a worship team
    4. Announcements
    5. Sharing of testimonies
    6. Sharing of prayer requests
    7. Singing performances
    8. Music performances
    9. Music Rehearsals
    10. Child participation
    11. Congregational meetings
  • Event Elements (non-worship uses of a sanctuary.)
    1. Weddings
    2. Funerals
    3. Teaching Events
    4. Conferences
    5. Concerts
    6. Fundraising events
    7. Music Lessons

These are all of the main elements of how the church sanctuary is used over its lifetime.  Not all churches will practice these elements, but the first seven elements in the main portion are universal.  Now here is an aspect that is least understood.  If you have the ideal acoustic conditions for the first seven elements, the worship space can support all of the other elements that all churches will practice at one time or another.

For the rest of the article, here is a link to the PDF file on Carpeting in Churches.

Article by Joseph De Buglio

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There is only one way to solve sound problems in a church, God’s way or the other guys’ way.

Posted by jdbsound on April 16, 2021


If you don’t want to see the video, you can read the story below.

God has a plan to manage and solve every sound problem apart from technical issues such as bad wiring, blown up speakers or damaged microphones. However, God’s plan for church sound does solve all of those performance issues most churches run into.

The other guys’ plan for church sound is to make church sound good enough for entertaining people and good enough to make people think that your sound problems cannot be fixed or you can’t afford to fix them.  The other guy wants churches to be great entertainment facilities to attract people who like the idea of being a Christian but never knowing what a real relationship with Christ is.

The other guy likes to make church sound good enough for people to hear a false message and yet be bad enough to confuse people if the full Gospel message of Jesus Christ is spoken.

The other guy wants you to hear a substituted sermon that includes an indirect feel-good message.  The other guy wants to make the pastor fearful about telling people that they were born sinners in need of repentance, and before becoming born again, you need to acknowledge that speaking such words will make people flee the church.  That is a lie.  The truth is, those who don’t come back are the people who will never let go of their sinful nature.  Those who stay understand their sinfulness and have come to love God more than sin – more than the other guy.

God’s way of managing sound begins with worship spaces that will give you a better building at no extra cost. There is no better way to manage church acoustics at any cost doing it God’s way, and the results are guarantee by Him. God’s way to manage sound works every time. You can trust God. The evidence speaks for itself. Do you really want to trust the other guy? God’s way of doing sound solves all of the problems any existing church may have apart from really bad building design. Yet even in a bad building, applying God’s method of managing sound will give the worship space 100% of the performance the room design can offer, which is better than putting up with such an inadequate space.

The other guy convinces churches to build expensive buildings that don’t support speech or congregational singing. The other guy doesn’t want you to fix the room because a room that doesn’t support real congregational singing discourages those who want to hear the truth from going to such places.  Instead, it makes the room appealing to those who are left behind who have itchy ears.  A room that makes you feel all alone during congregational singing is the ideal room for entertaining people as they do in rock concerts where people sway to the music, raise their hands, mouth the words and become caught up in the moment – that is what you do in a secular concert.

Real congregational singing is when you can hear yourself and your neighbours around you.  Real congregational singing is where you can sing and hear four-part harmonies in every seat in the worship space.  Real congregational singing is when the congregation can sing louder than the sound system or drown out the piano and organ, whenever the audience decides to do so.   Real congregational singing is when you don’t need a worship team and song leader to encourage the people to sing.  Real congregational singing is hearing every word and message clearly when sung.

Real congregational singing doesn’t need a song leader to whip up the audience into a trance-like state to subdue the audience to become receptive to any kind of message.  Real congregational singing doesn’t need repetitive words and phrases to get a subversive message across.  Real congregational singing does not make people feel alone, as if they are the only ones singing praises to the Lord.

God’s method of managing sound is a tool that helps in the preaching of the Gospel message.  The other guys’ method of managing sound causes sound system instability, hotspots and deadspots and subpar intelligibility where words are misunderstood.  The other guy wants words that are misunderstood to create chaos and confusion that can eventually cause division within the church.  The other guy works hard in making everyone from the pastor, the church leaders, the church board, and members feel insecure.  The other guy wants churches to have confidence in relying on programs to try to fill the pews.  The other guy wants the church to water down the gospel message to make the sermon confusing to the unbeliever. The other guy wants to fill the church with unbelievers who think they are Christians to displace the true believers. 

The other guy likes to divide the church by driving the believers into small groups, cell groups, and home bible study groups so that their words will fall onto deaf ears.  Smaller cells are dividing the true believers until they are no longer the influencers of the congregation and where their words are never heard by the others. 

The other guy likes his church pastors to be elevated above others, to be protected because of their imaginary supernatural gifts and the phony hyper connection to God and the Holy Spirit.  The other guy likes his pastors to proclaim the subtle messages of new age teachings of which the other guy, Satan, began in the Garden of Eden.  Genesis 3:4-5 “The serpent said to the woman, “You certainly will not die! For God knows that on the day you eat from it your eyes will be opened, and you will become like God, knowing good and evil.”” The other guy is a seller of the kind of fruit that promotes the message of elevating self.  Promoting self includes wealth and prosperity and a fake feel-good born-again experience. The other guy is the father of people being “holy” on Sundays and living like sinners Monday to Saturday. 

God’s way of managing sound in a church does a better job at separating His sheep from the G.O.A.T.s. God’s way of managing sound helps to build HIS church, not the other guys’ churches. God’s way of managing sound helps people to be confident in the Word and to let their light shine every day of the week. God’s way of managing church sound prevents bad sound from getting in the way of the message.

Church sound affects everyone, whether you realize it or not. You just read how God’s way of managing sound and the other guy’s way of managing sound works.  Do you know whose method you are following when it comes to church sound?  Did you get your information on church sound from the Bible?  If not, what are you going to do about it?

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There is a saying that makes its rounds from time to time and it goes like this.

“Never be afraid to try something new. The “Ark” was built by Amateurs but the Titanic was built by professionals.”

Seriously? Who designed the Ark? God designed the “Ark”, not man. Who designed the Titanic? Man designed the Titanic. When it comes to church acoustics, shouldn’t we be using the acoustical system as shown in the Bible – a design guided by God over all other acoustical systems?

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When to Equalize the sound system of a new church

Posted by jdbsound on April 6, 2021


Whether a new church, after a church renovation or when converting a commercial building into a new church, the sound system is susceptible to humidity changes. The speed of sound changes as humidity changes. Learn about how humidity affects the performance of a church sound system and what you can do to keep your system in peak performance.

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What costs more? Drum Booth or Fixing a Sanctuary?

Posted by jdbsound on June 10, 2020


What costs more?  Or, what will give you the most bang for the buck?  Did you know that for less than the cost of a fully enclosed drum booth, you can fix all of the acoustical issues of a typical sanctuary and not need a drum booth?

Here is a typical drum booth churches are buying.  This booth retails for $4,300.00 and is often on sale for $3,000.00 plus shipping.

Here are all of the sound problems the drum booth solved. Keeps the drums out of the mix, and the people in the front of the church have less noise from the drum kit. The downside to all of this is that often, the drummer plays louder, which leads to many getting tennis elbow.  Plus, hearing damage often occurs.  There is one extra cost to include.  Often drummers need headsets or floor monitors to hear everyone else on stage.  What is often overlooked is that churches should have the drummer sign a liability waiver that the drummer will not sue the church for premature hearing loss and permanent damage to their arms due to tennis elbow.  Drummers often have to play louder in order to hear themselves inside a drum booth or shield.

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Here is an example of a modest church that decided to fix the worship space instead of getting a drum shield or booth.  The material costs, including the paint, were $1,000.00.  Three people over 3 Saturdays completed the installation.  If you look carefully at the photo below, six months later, there is no drum booth around the drummer.  They don’t need one anymore.

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The following is a list of the planned sound issues solved:

  1. No more standing waves
  2. No more deadspots or hotspots
  3. Eliminate flutter echoes often heard off the back walls on stage.
  4. No more excessive bass

Bonus fixes included and no extra cost:

  1. Better speech intelligibility
  2.  Increases the signal-to-noise ratio to 21dB throughout the room
  3. Most of the floor monitor spill was gone
  4. Less sound system distortion
  5. No more bass distortion
  6. Equalized the room to remove excess energy at 400 Hertz -20dB
  7. Went from 18 inches to 38 inches of before feedback,
  8. The room is +/- 1.5dB throughout the room
  9. Makes the room easier for the musicians to perform
  10. Improved sound for people with hearing aids
  11. Before, about 15% of the congregation was singing, now it’s around 60% after 4 months
  12. The sound team is having an easier time mixing.
  13. No drum shield of any kind
  14. Drummers are playing quieter without being asked to.
  15. The drummer can hear everyone on stage with minimum floor monitor support
  16. The pastor is less fatigued after preaching
  17. No more sound complaints if the sound is too loud
  18. The sound system sounds so much better
  19. The bass from the sound system is much more dynamic
  20. The bass from the bass guitar is cleaner and not overpowering any of the other instruments

These are all of the comments various church members, musicians, and the sound team shared after the first 4 months of the acoustical changes.  All they were hoping for was less bass drowning out everyone on stage, eliminating hotspots and deadspots in the audience area and on stage, and stopping the loud reflections off the back wall affecting the musicians and the pastor when preaching.  The diffusers gave them 23 improvements instead of just three of them.  No other custom or “off the shelf” acoustical system can do all of that in one step unless you have unlimited cash at 30 times the cost.

Drum Shield or Fixing a worship space.  For the cost of a drum booth, you can fix up a church seating to 800 with some sweat equity and not need a drum booth and all the supporting technology.

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Hot Spots in Worship Spaces

Posted by jdbsound on May 25, 2020


Hotspots and Deadspots are sound effects most often created by unmanaged room reflections that are out of synchronization with direct sounds from a pulpit or preaching position, and made worse when the wrong sound system design is used.

To learn more of what you can do about it, read this article.

In case you don’t know this, sound systems cannot eliminate deadspots if it is created by the room in the first place. Adding more speakers will degrade the overall performance of the sound system, including making other areas of the worship space harder to hear clear sound.

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Church Sound. It’s all about cause and effect.

Posted by jdbsound on May 20, 2020


Sound system design has nothing to do with the equipment you use. It is about the location of speakers used to broadcast into a room and the interaction of the room with the speaker system design.  It doesn’t matter if you are using line arrays or point-and-shoot speakers. If speakers are placed in the wrong position, both systems will have the same limitations.  It is all about cause and effect.  A sound engineer needs detailed knowledge, experience, and wisdom in understanding room acoustics or when to know enough to ask help from an acoustician to understand when to use which system.  Did you know that the room will tell you where the best places are to put speakers? 

The room will tell you when to use one of the following techniques:

  • Distributed Sound System
  • Central Cluster or single speaker system
  • Left Center Right system or cluster
  • Left Right System
  • Live Stereo Hybrid System
  • Hybrid Distributed Sound System

The geometry, reverberation, surface materials, acoustical management system, and room volume must be accounted for before creating a sound system design profile.  After all of this is done, you can start to determine the size of the sound system needed. 

If you think you need to do some acoustic treatment or the church has already been treated, it should not be using the spot treatment method, which means placing a few panels on a wall or two.  Adding something to one wall or any part of a wall affects the whole room.  This also includes the placement of screens, lighting, and other items related to multimedia.  Even room renovations change how a room sounds. It is all about cause and effect. The acoustics of a church must use a planned system that treats the whole room.

A spot fix is when enough panels are added to solve one problem.  When there is a problem in acoustics, there are always other glitches that mask other difficulties that you can’t hear and often are not shown in acoustical measurements.  Here is an example: Placing sound absorbers on a balcony’s front face will eliminate an echo.  However, the added absorption often strengthens the mids and bass, making speech and music sound muddier.   This then requires adding expensive bass traps.  While you can use aggressive equalization to improve the sound system for speech, you will need a different equalization for music.  While these efforts can somewhat help with amplified sound, as long as someone remembers to switch the EQ settings, the congregational singing is degraded until bass traps are added.  Add the bass traps.  It is all about cause and effect.

However, you may have noticed that after treating the front face of the balcony and adding the bass traps, there is now a softer echo off the back wall, or the reflections off the side walls are much worse depending on the shape of the room.  Reflections off the side walls are detected when clapping from the front of the center stage.  Those reflections from the sides or back interfere with speech and music intelligibility.  It is all about cause and effect.  Change the EQ of the sound system.  Helps with speech but doesn’t help with music at all.  Despite changes to the sound system, speech is worse in the back half of the room.  Add speakers to the back half of the room.  It helps people with good hearing and doesn’t help with hearing aids.  Add a delay to the speakers.  People with hearing aids do better, but they are still not happy because someone is sitting in their spot where they know the sound is better. 

If you apply something to the sidewalls, the echo off the back wall becomes much more pronounced and interferes with hearing on stage.  Switch to in-ear monitors.  It’s all about cause and effect.

Now the drums are too loud. Add panels to the stage or get a drum shield that costs more than fixing all of the acoustical problems in one step.  With the drum shield, the drummer plays louder because they can’t hear themselves properly.  The insides of the drum enclosures are easily overloaded, making it harder for the drummer to hear all the different drums and cymbals.  After additional dampening to the drums, the drummer played even louder, getting elbow and wrist injuries.  Sound is still bleeding through the shield, even after adding a roof to it.  Some churches have turned the drum shield into a self-contained room with air-conditioning as a permanent fixture on the stage.  It is all about cause and effect.

For the time being, congregational singing has become a chore for most, resulting in less than 20% of the audience singing.  To get people singing again, you pay singers and musicians to lead the worship and keep the talent sticking with the music entertainment program.  This helps for a while, and before long, you are back to less than 20% of the audience singing.  Bring in larger screens, add lighting effects, and use lighting to help create a mode to encourage people to sing.  Again, this helps for a while, but participation drops back to 20%.  These objects change the acoustics of the room, and everyone just puts up with the sound degradation.  It’s all about cause and effect.

In the meantime, the sound system has been replaced, and church attendance is up, but fewer people come to prayer meetings or Bible studies.  Turn to home groups.  At first, home groups bring in more people, but as the church continues to grow, more people are slipping through the system and are not included in the home groups or any spiritual support.  Fewer people are growing as there is no alternative for mid-week meetings at the church.   The preaching is dynamic; the entertainment is awesome, fewer people are actively involved in the church, and more people become adherents with no real motivation to join, become members, and learn more about their faith.  The church is full of Sunday worshipers unable to defend the Gospel, but they know and sing the choruses sung by the church all the time.  It is about being part of something free of guilt, responsibility, and not knowing what salvation is.  It’s all about cause and effect.

Wait a minute, what does any of this have to do with acoustics and sound system?  The sound system is just equipment and technology.  The room is just a set of walls, floor, and ceiling.  When empty, they do nothing.  When energized with sound, an immediate cause and effect impact every part of the worship service.  Sound affects how people react to events in a church.  Consider how people respond to movies at a theatre.  When the sound is excellent, the audience will tell you how good the picture looks.  When the sound is poor, people don’t come back.  How much more does that impact a church?  Again, it’s all about cause and effect.

Next, check the acoustical condition of your church.  Have your church properly tested for all aspects of worship, not just the sound system and hardware performance.  Test for congregational singing.  Test for audience participation for prayer and testimonies from the seating area of your church.  Check for the signal-to-noise ratio on the stage and in the audience.  Check the frequency response of the room and ignore the reverberation time if there is more than a 20dB difference in the response of the worship space.  If your worship space passes, then you don’t need any help.  Your sound system is already working perfectly.  If you have any concerns or want better performance from your sound system, fix the room.  It’s all about cause and effect.

After upgrading the sound system and worship space, start mid-week Bible Studies at the church.  The congregation will become stronger and healthier if people come to the church mid-week.  Congratulations, you have just upgraded your church’s sound to meet all a congregation’s needs.

The story you have just read happens in many churches.  It is based on the testimonies of hundreds of churches around the world.  If this doesn’t sound like your church, have your worship space tested anyway if it hasn’t ever been properly tested. The results can be a surprise or a blessing. 

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What happens when Church Architecture, Technology, Science, and meets up with the Bible.

Posted by jdbsound on April 24, 2020


The Bible has a lot to say about how a modern church should be designed.  Solomon’s Temple was not just a house for God to dwell in, it was also meant to be a tool to help preach and spread the Gospel in the present.

After reading this article, please pass it on and make comments below.

***  Article: Gods Authority in Church Design ***

This article is the most comprehensive study of King Solomon’s Temple I have ever written.  If you believe John 1:3, then you know who really designed Solomon’s Temple.  King David only penned the details of the new temple.  King David told his son Solomon that it was the hand of God that guided his hand.  What was so important for God to design the temple rather than letting a man design in with whatever came into his thought?

This article gives a stronger case for what the “Inspired Word of God” means.

Winning people to Christ is not a game or something given to chance.  We need all the tools possible to have an impact on this world.  Jesus is Lord, and if your church is dedicated to God, Jesus is Lord over your church building too.

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Increasing the quality of Streaming Churches Messages from Home or office

Posted by jdbsound on April 22, 2020


With all of our churches closed, many have turned to YouTube or live-streaming of church messages. After listening to many of them, there is a sound quality issue I want to bring up. Many of the videos I have seen and heard, sound like there were recorded in a cave – a bad room. If you are limited in the quality of the room, perhaps you can use cardboard tubes to get the best sound quality out of your message. Adding carpet on the floor will quiet the room down, but often it makes the room bassy sounding. To balance that out, add the tubes on all the walls, as shown in the photo below.

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You don’t have to be as fancy as this, but getting the best clarity in your voice is important in communicating such an important message online.

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This is the most effective to make the space you are working in to have a sound quality that most people are accustomed to hearing every day.  If you are like me, when the sound on my favorite shows is of poor quality, I switch to something else in the first 30 seconds.  Good sound is more important than a good picture.

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Stop Sharing your Toothbrush/Microphone

Posted by jdbsound on March 17, 2020


Back in 2006, I wrote this original article about how sharing microphones can pass on colds, flues and other illnesses. In 2009, the manufacturer, Point Source Audio asked to update the article to promote good microphone etiquette after the SARS in 2008. Now with Covid-19, this is another opportunity to educate people about how to better protect themselves from communicable infections.  Since Jan 12, 2020, thousands of people have read or downloaded the article.  I thought it was time to dust off the original post from 2006.

Here is a link to the original article. Personal Microphones as toothbrushes 2006
The footnotes are interesting. Here is an example. I can’t authenticate this clip, but it is a great story.

There was a story about Elvis when recording – all morning they did take after take, none sounded right. During lunch, someone pulled the windscreen off his special mic, rinsed it in the sink – to find a bunch of black junk coming out of it. Did that a few times, put it on a low-heat hair dryer, put it back on the mic. After lunch, Elvis “hit it” with just one take.
From Blake Engel, All Church Sound

*** UPDATE ***

I’ve mentioned on other posts about using plastic food wrap or balloons over microphone capsules and windscreens.  This idea only works great if the plastic is removed between the uses of a microphone.   Passing microphones around is not a good idea either.  If you can get a second mic, the better.

 

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